pipelineaudio
Shredder
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Is there a way yet in HX edit to move or swap Snapshots? Or do you still have to use a blank slot or the touch method on the unit itself?
I probably sound like a broken record, but the HX Stomp is the best in class in its price range. IMO, nothing else comes even close.Have spoken about this before, but a standalone HX Amps pedal would also require cabs/IRs, and likely at least Dynamic Ambience reverb for headphone use. And a headphone amp, main volume knob, and a 4-channel USB audio interface. And because people would want it at the end of their chain, it'd likely need to be stereo (like Iridium and UA amp pedals), which means two amps (even if they're identical), two cabs/IRs, and a stereo reverb—for us, that probably means SHARC instead of HX One's ARM. You'd also need two switches for preset up/down, a display to select models, and a stereo effects loop independent of the stereo ins and outs.
So... we've now basically created a new box that's juuuust under HX Stomp: One less switch, a smaller B/W display, matte paint instead of sparkle, and maybe one less push encoder? $599 instead of $699? That's a hard sell.
Not sure about that. Or at least it might depend on what you prioritize when you have something like the Headrush Flex Prime out there that allows you to capture and has a built in expression pedal for $500. Obviously the HX is going to trounce it on availability effects but that (and Line 6's support history) is kinda getting to be it's only selling point now.I probably sound like a broken record, but the HX Stomp is the best in class in its price range. IMO, nothing else comes even close.
Pleeese don’t fuck up the next iteration.
Well, that and the HX amps sound better.Not sure about that. Or at least it might depend on what you prioritize when you have something like the Headrush Flex Prime out there that allows you to capture and has a built in expression pedal for $500. Obviously the HX is going to trounce it on availability effects but that (and Line 6's support history) is kinda getting to be it's only selling point now.
Obviously the HX is going to trounce it on availability effects but that (and Line 6's support history) is kinda getting to be it's only selling point now.
Not sure about that. Or at least it might depend on what you prioritize when you have something like the Headrush Flex Prime out there that allows you to capture and has a built in expression pedal for $500. Obviously the HX is going to trounce it on availability effects but that (and Line 6's support history) is kinda getting to be it's only selling point now.
Really? I've seen enough head to head demos of modelers that, running through the same IR there's damn near parity these days, and then you throw in that it can capture, and capture VSTs, including NDSP's, I don't think that's something quantifiable.Tones still better, even out of the box.
But the Flex Prime incorporates new technology, the Stomp is the Stomp and is not going to do anything new in the foreseeable future, which goes back to my statement that it'll depend on what people prioritize. I own an LT and I'm sure the Stomp is a great product but I don't see it as so vastly better than the other modelers at that price point. A few years ago? Sure. Not so much now.I think you underestimate how much of a (big) selling point those are.
Headrush launched the MX5 in 2021, and killed it with the launch of Flex Prime in 2024.
Really? I've seen enough head to head demos of modelers that, running through the same IR there's damn near parity these days, and then you throw in that it can capture, and capture VSTs, including NDSP's, I don't think that's something quantifiable.
But the Flex Prime incorporates new technology, the Stomp is the Stomp and is not going to do anything new in the foreseeable future, which goes back to my statement that it'll depend on what people prioritize. I own an LT and I'm sure the Stomp is a great product but I don't see it as so vastly better than the other modelers at that price point. A few years ago? Sure. Not so much now.
It is to me being that I gig and/or record in a band with both (Headrush Core and HX Stomp) pretty much every weekend. I've only tried capturing once as it comes with zero from Headrush, and it was....fine. Nothing notable.
Yes I know all that but it's new as in incorporated into a small floor unit. And how old are the original Helix models at this point? Hell there are still guys touring with Digitech GSP1101s. That's hardly an indication of anything.Just so you know, very little on it is new. Even the clone tech is rebranded from the Revalver ACT module from many, many years ago. The models are a combo of ancient Eleven Rack and Revalver models with a few "new" variants thrown in.
Ugh. Helix/HX's underlying architecture, engine, capabilities, and model complexity/granularity/nuance has been radically improved over the past 9-1/2 years. If not the DSP equivalent (although its code efficiency allows it to hold its own against many other boxes), Helix 3.80 is the sonic equivalent of buying Helix II—or even Helix III—hardware.But the Flex Prime incorporates new technology, the Stomp is the Stomp and is not going to do anything new in the foreseeable future, which goes back to my statement that it'll depend on what people prioritize. I own an LT and I'm sure the Stomp is a great product but I don't see it as so vastly better than the other modelers at that price point. A few years ago? Sure. Not so much now.
And this is what makes it so easy to support the Helix platform as a conscious consumer! Really appreciate the business model and continuous improvements. I’ve been on a journey through an HX FX + Native, then an LT and now to suit my needs a Stomp. There are compromises of course but in the grand scheme of things the value is hard to beat.Ugh. Helix/HX's underlying architecture, engine, capabilities, and model complexity/granularity/nuance has been radically improved over the past 9-1/2 years. If not the DSP equivalent (although its code efficiency allows it to hold its own against many other boxes), Helix 3.80 is the sonic equivalent of buying Helix II—or even Helix III—hardware.
Ok? It doesn't change functionally what the Stomp does. And why would that matter to someone buying one new?Ugh. Helix/HX's underlying architecture, engine, capabilities, and model complexity/granularity/nuance has been radically improved over the past 9-1/2 years. If not the DSP equivalent (although its code efficiency allows it to hold its own against many other boxes), Helix 3.80 is the sonic equivalent of buying Helix II—or even Helix III—hardware.
The point is that HX Stomp's 3.80 engine is newer than that of any Headrush product (and several other relatively recent boxes). Any implication that it's old hat is either misinformed or disingenuous, particularly in a Helix-centric thread.Ok? It doesn't change functionally what the Stomp does. And why would that matter to someone buying one new?
Or it's because you (L6) never advertised the upgrades so people don't know about them and think it's the same old engine on the same old hardware (don't trust people will hear it).Any implication that it's old hat is either misinformed or disingenuous
But the Flex Prime incorporates new technology, the Stomp is the Stomp and is not going to do anything new in the foreseeable future
Weren’t the Headrush models carried over from the old Avid Eleven Rack?MX5 and Flex Prime are, quite literally, the same hardware platform.
That's fair. We discuss engine improvements on forums, sure, and Helix Core, Poly Pitch, increased oversampling, and the new cab engine were big-ish engine-centric messages, but yeah, we haven't been trumpeting "Helix 2.5 with HX engine 16.78b" or whatever. Perhaps we should.Or it's because you (L6) never advertised the upgrades so people don't know about them and think it's the same old engine on the same old hardware (don't trust people will hear it).