Btw, in all seriousness (and sorry for repeating myself because I've already said this a few times in the past), re: live tweaking. IMVHO, the lack of fast tweaking on pretty much all modelers is one of the reasons for them to often not sound as great as they could. Simply because there's just no time to adjust anything in a meaningful way.
As an example (yes, you may have read this coming from me before, too): Let's suppose you needetd to do something that be the most trivial tweak in a typical analog (or hybrid) setup, such as simply raising the level of your clean channel. How will you do it with just, say, 3 preprogrammed clean patches (all supposed to use the same basic amp sounds but different FX and what not, so you could possibly not squeeze them in a kitchen sink preset anymore)? Tweak the level of one. Re-save. Remember how much level you've added. Call up 2nd patch, adjust, re-save, call up 3rd patch, adjust, re-save. Soundcheck goes on, you may notice you've raised the level too much. Rinse and repeat. Oh, you only noticed it during the show? Well, that was it, no way to adjust these patches anymore. A typical amp setup would require one (!) single action, namely twisting your channel's level knob. You can even do that while a note/chord is ringing out. And you could as well even do it while another patch is selected, so before you switch back to your clean patch, the level is adjusted. Etc.
This is precisely where programmable modelers (and that's pretty much the whole lot of them) lose big time. Ways to fix it are global blocks, more encoders, LED rings and, well, touchscreens. Good luck finding any to combine all these. Closest contender: Boss GT-1000.
