EVH Hypersonic (version of the FR12)

Per Liam over at the Fractal boards:

"The class D amp module for the 12 is by Kustom (Hanser) it is rated at 300w at 4 ohms. They paired it with an 8 ohm speaker so it puts out roughly half that power.

The horn has its negative lead interrupted by a cheap soic mosfet in a de-pop situation that is rated to dissipate 3 watts maximum."
Thanks.

Um... what is a "de-pop situation", electronically speaking? New one on me. Only "de-pop" term I can think of off the top of my head is removing or not installing components on a pcb, aka "depopulated".
 
I think for personal monitoring it should be fine, assuming you are pumping out enough volume on your modeler (meaning you aren't feeding a really low signal). If you're trying to directly compare against a 100 watt tube amp through a 4x12 cab, you might need a second speaker to keep up with the air movement.
Thanks man. I'm running the Friedman IR-D, which is around instrument/mic level, so it's not as hot as a line level signal from a modeler...
 
. I can say that the FR-12 definitely sounds the most like a real guitar amp and requires the least amount of tweaking to sound like a guitar amp.
Well then, this is nothing even resembling flat. I would rather what comes out of my "FRFR" resemble what is coming out of a studio monitor. If the FR-12 is doing something as much as you claim, that would easily be measurable as well.

Beyond my experience, if you look at the user feedback on guitar amp shaped ""FRFR"" speakers, people seem to really like those a lot more than PA style speakers, and very often like them more than studio monitors.
There are people who believe different species of wood make electric guitars sound different and those who believe that mic preamps that null to 90dB sound different. I would be interested to see what happens when someone blind tests these same people on different "FRFR" setups matched properly

So yeah in theory they are all "flat" but in practice they operate differently.
Not really, according to your claim, the FR-12 would certainly not be anything close to flat
 
@KingsXJJ - I think so for all intents and purposes, although it may be a slightly different cab. The FR-12 is a woofer + tweeter and the amp section dropped into a Hot Rod Deluxe cab. The Hypersonic may be the same thing dropped onto an EVH 1x12. Someone would have to measure. But it's not the same exact cab...the HRD has a wider panel at the top and bottom.

@pipelineaudio - the Fender FR-12 isn't truly flat, and I think that's the appeal. It has a boost in the bass that makes it sound more like a big speaker cab in the room, and the cut knob turns down the tweeter. These aren't trying to be PA speakers and they aren't trying to be studio monitors. They are cabs you put in the room to play a modeler through.
 
If your modeler can't produce a convincing sound - IOW, like a tube amp played through a guitar cab - when it is played through a neutral speaker - all of mine can - then there's a deficiency in either the modeler or the preset(s) you're using.
Typical “neutral speakers” usually don’t deliver on stage SPL levels though. Although you are welcome to try playing a gig with studio monitors or headphones. Let us know how that works out for you.
 
Bottom Line though Use what you like and what works for your needs
I mean I use PowerCabs even though the consensus is that they are crap, maybe for others and their needs, but perfectly happy with mine
and do I care about amp in the room ...no not one bit as long as I can get the tones that i want and hear then its all good on my end

:clint
 
Typical “neutral speakers” usually don’t deliver on stage SPL levels though. Although you are welcome to try playing a gig with studio monitors or headphones. Let us know how that works out for you.
What do you mean by "typical"? The ones I consider typical will easily reach ear damaging levels
 
What do you mean by "typical"? The ones I consider typical will easily reach ear damaging levels
Ok, tell us what neutral speakers that reach those SPL levels are. Ear damaging is kinda a loose term. I’m talking about stage level in a reasonable venue that would take an un-mic’d half stack usually.
 
Ok, tell us what neutral speakers that reach those SPL levels are. Ear damaging is kinda a loose term. I’m talking about stage level in a reasonable venue that would take an un-mic’d half stack usually.

Even an Alto 10" at 127 dB SPL will get you there

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