metropolis_4
Rock Star
- Messages
- 2,578
the clean felt flat and sterile and the Drive channel was decent but nothing that made me too excited
In other words it sounded like a Blackstar
the clean felt flat and sterile and the Drive channel was decent but nothing that made me too excited
Hey lots of people use emIn other words it sounded like a Blackstar
To me the topic is about getting good results, and wether digital can contribute and give equal results to the ear…it can.I never said it was an issue, but clearly you could hear a difference, otherwise even a minor tweak wouldn't have been required.
For you it is the end result that counts. So it is for myself and the OP.
But that isn't what the topic of discussion is when we talk about hearing differences or not. That is a question of objective data, and thus something that can be measured; hence Sascha's quip about graphs.
If you enjoy it. More power to you. But as soon as you try to claim that it sounds the same a real valve amp (without providing evidence I might add), there will always be some wanker like me who will pop up to make a fuss about it. Such is life.
I often wonder if this is the culprit..Spent a bit of time sorting out my QC rig beforehand ready for the show.
Yeah, I mean, it doesn't matter what rig you're going to be using. If the thought process is "Hey, I've got a gig coming up, I should try out a whole bunch of amps to figure out which one I'll use" then the amp that you've used extensively prior to the gig is always going to win out.Played a reunion gig with my (very old) metal band last night.
Spent a bit of time sorting out my QC rig beforehand ready for the show. Tried a bunch of amps in there, sounded pretty good. Also a few decent captures.
That's what I don't get.To be fair the patch I set up was perfectly usable, don’t get me wrong, I know how to dial in a tone just fine.
It was just a lot easier and less time consuming and annoying to just use the amp, which ended up sounding better anyway.
Any pics of said pedalboardI'm having too much fun with a big pedalboard going into a Twin model in the AxeFx.
They get tweaked at rehearsal (at full volume, with the band) over time, like I said.Well I’m assuming your live patches were made once upon a time? Unless you’re sticking to factory presets
...until I go and slap the same IR I use on everything on the preset and I go right back to sounding the sameI don’t have a “favorite” amp, so I definitely need a modeler to completely change my tone from time to time.
You will soon find that you need a huge pedalboard with expensive pedals too.
That’s not my point, I can make a live preset, I know how it works.They get tweaked at rehearsal (at full volume, with the band) over time, like I said.
Not before a show.
...but if you made one that sounded great, you could use it over and over without tweaking it. That's the beauty of digital. Repeatability.That’s not my point, I can make a live preset, I know how it works.
My point is it’s a pain in the arse and time consuming to make them compared to just using an amp.
It doesn’t matter if they were made in 2019 and tweaked at rehearsal for evermore or if they were made during line check 5 minutes before show time.
If I was messing with a Fractal device yesterday I would have quit music altogetherI thought the QC was the fastest and easiest to tweak?