Bad:
I still don't know how to use the scale without it sounding like Little Johnny Learns To Play Guitar. Particularly anything at pace. It sounds like just playing a scale instead of something musical.
I know you want to shred but honestly, melody is king!
Now that you're familiar with the notes of A minor, start working on what the chord tones are for each chord within the key.
Start with triads first - learn the triad for the chords:
A Natural Minor (Aeolian)
Amin - A C E
Bdim - B D F
Cmaj - C E G
Dmin - D F A
Emin - E G B
Fmaj - F A C
Gmaj - G B D
I recommend learning these in 3-string sets:
(high) E, B, G
B, G, D
G, D, A
D, A, E (low)
Next, expand to 7th chords:
Amin7 - A C E G
Bmin7b5 - B D F A (aka, half diminished)
Cmaj7 - C E G B
Dmin7 - D F A C
Emin7 - E G B D
Fmaj7 - F A C E
Gdom7 - G B D F
When you play over the Amin chord, targeting the chord tones (A C E G) will carry a more melodic character. Same for the other chords.
Also, this is a good time to understand the basics of how chords are created if you don't know. It is a good bit of information and really connects the chords with the scale.
Typical chords are built by "stacking thirds". You start with whatever chord "root" you want and add the note that is up one third (2 scale intervals), then you add it. Repeat the same with that note. Then do it again (and again, and again if you want.
A B C D E F G
A
A C
A C E (Amin)
A C E G (Amin7)
A C E G B (Amin9)
A C E G B D (Amin11)
A C E G B D F (Amin13)
This is chord scale harmonization.
Doing the same starting on C from the same scale (which is also the C major scale):
A B C D E F G
C
C E
C E G (Cmaj)
C E G B (Cmaj7)
C E G B D (Cmaj9)
C E G B D F (Cmaj11)
C E G B D F A (Cmaj13)
You'll probably also start noticing the chords within chords, which will really start to blow your mind.
For example, Cmaj lives inside Amin7... Emin7 lives inside Amin9.