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Why all the talk about tuners?
It's a neutral topic that Fractal zealots and QC defenders can converse pleasantly about.
Why all the talk about tuners?
Yeah, and that's probably the one thing I've failed to do here, is significantly reduce cost. Most of the switches are still there; the fancy screen is still there... You could theoretically save money with lesser DSP, eliminate Input 2, phantom power, and all that, maybe lose an FX loop? That's not nothing?The thing about a disallowed cortex that I don’t quite get is that, for me at least, the hardware is the main intriguing part of the Cortex. If we’ve learned one thing on forums, it’s that switches and I/O are where the cost savings are.
Nobody ever loved their Stomp because of how fun and easy it was to build/edit presets on.
I read that in Glover voiceIt's a neutral topic that Fractal zealots and QC defenders can converse pleasantly about.
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This is funny. I have the same weird attachment to the Korg/Vox tuner. I don’t love it enough to buy a separate pedal, but I always notice how nice and easy they work for me.I get it. It's an easy thing to get attached to.
That’s an expensive tuner pedal.Haha yes, another reason why I keep my Stomp on my mostly-analog board, no need for a separate tuner.
As do the vast majority of HX Stomp users, unless they're all lying in our surveys.I love the Stomp UI and find it super quick to do almost anything on. Also easy to remember, if I haven't used it in a while.
Dude, me too! It would be a killer add-on to the QC and I keep flipping between getting one and not getting one. A QC + HX One and Dunlop 8 expression pedal on a Metro 20 board would be super slick and pretty much cover everything for me (other than not having amp models if the QC crashes, like the Stomp does).
It's just money I don't want to spend right now though, and add to that I already have a Stomp, seems kind of extravagent/unnecessary. (But when has that stopped anyone here...)
That’s an expensive tuner pedal.
Nobody ever loved their Stomp because of how fun and easy it was to build/edit presets on.
Aren't they stealing this straight out of Fractal forum lore??Let us toan. Soooo, anybody see that S O O N sign? The hell was that about?
Yeah, and we were using it a lot on forums too... until we learned Fractal did it first. Now it's just... icky.Aren't they stealing this straight out of Fractal forum lore??
IMO, Cliff was using that as a meme waaayyy before Doug. But, what hasn’t Doug ripped off from other people?Aren't they stealing this straight out of Fractal forum lore??
Well, yeah. The funny thing is, soon actually meant soon back then.Aren't they stealing this straight out of Fractal forum lore??
Just like that QC user who swiped all of those compiled amp detailes from @yek !Aren't they stealing this straight out of Fractal forum lore??
Read my post in context. I'm not shitting on the Stomp. But going from Helix floor, rack, or LT with 12 capacitive switches, and 6 knobs down to 3 switches and 3 knobs...is significant.I can dial in a tone on my Stomp a hell of a lot quicker than my Axe-FX, editors excluded.
That said, I love my Stomp and at home, it gets used 90% over any of my modelers.
IMO, Cliff was using that as a meme waaayyy before Doug. But, what hasn’t Doug ripped off from other people?
Absolutely easy. But 3-knobs is 3-knobs, and using page buttons just to adjust gain on a drive block (and then adjust level commensurately) is a thing.![]()
I loved using it. Super easy, IMO.
My bad. I shouldn’t be posting when I’m half-asleep.Read my post in context. I'm not shitting on the Stomp. But going from Helix floor, rack, or LT with 12 capacitive switches, and 6 knobs down to 3 switches and 3 knobs...is significant.
3-knobs is 3-knobs