SeeD
Roadie
- Messages
- 852
I would however wake up thinking “How will I ever be able to play these surf songs without a ‘spring’ reverb model??”
I would however wake up thinking “How will I ever be able to play these surf songs without a ‘spring’ reverb model??”
Here's a very crude mockup (good ol' MS Paint LOL) of where NDSP could take a "Dual Cortex" design without significantly impacting UI/UX. Move a hard power switch to the back, make the top right footswitches assignable to bank up/down vs. tempo/tuner per user preference, and make the top right encoder assignable to various global volumes similar to the QC "big knob" at top left. Take my money.For some reason, I was thinking about exactly this this morning. My guess is they would go with the same sized screen regardless, so they could get better price per volume on the part, and invest less in R&D for an OS and UI overhaul. Fewer switches/encoders, less I/O, and half the processing power (a la Stomp vs. Helix Floor) would seem likely, but...
I'm sure there's a potato cam somewhere of him letting a drunk guy use their face for a whammy bar that will appease your strict criteriaIn what universe? Like all of a sudden he doesn’t know what happens a few bars ahead.
By that logic they’d record every tune all the way through since punching in requires to much to remember where in tune one is.
God help us if he ever breaks a string.
Stuff goes wrong. Perfection is for guys editing rather than playing.
That is entirely fair. :)I would however wake up thinking “How will I ever be able to play these surf songs without a ‘spring’ reverb model??”
FTLOG let`s get the screen postion right on the next version!Here's a very crude mockup (good ol' MS Paint LOL) of where NDSP could take a "Dual Cortex" design without significantly impacting UI/UX. Move a hard power switch to the back, make the top right footswitches assignable to bank up/down vs. tempo/tuner per user preference, and make the top right encoder assignable to various global volumes similar to the QC "big knob" at top left. Take my money.
View attachment 18089
If you want to actually use those switches with human feet, like ever, you'd need a much bigger screen. I expect one of the aims of a Dual Cortex would be to make it less expensive than a Quad Cortex.FTLOG let`s get the screen postion right on the next version!
no more ...
FTLOG let`s get the screen postion right on the next version!
no more ...
Yeah me too, I work this thing really fast, and I usually know what encoder to twist. Don`t need to think at all, just reach for the right knobThat really doesn't affect me anymore. Got used to it pretty quick and now I just go for the right knob every time (TWSS).
That is entirely fair. :)
On the other hand, the Spring reverb on my FM3 also sounds like shit. Sure, I could upgrade to an FM9... or I could run a Tre-Verb next to my QC and still have a smaller footprint (and a UI I actually like using.) Different ways to skin a cat.
If I could, I would move the MIX text ..and so on...to be on top of the knob, and not on the side. I get why they did it, to be able to see what knob we are twisting ( on screen ) This way they could move the knob a bit to the left.I think it's probably worse for some because the knobs are soooo close-ish to being in line with the screen? The TBP encoders were off by a bit more iirc so my eyes just adjusted to the discrepancy a bit easier?
If screen prices continue to drop as they have in recent years, that will certainly be possible for a QC MkII or whatever. I agree that it would be preferable to eliminate the big knob, or move it above the preset up switch, and stretch the screen across the full width of the A-H switches. Not likely for our theoretical lower-cost DC, though. (And not half the problem in its current state as it's sometimes made out to be.)Yeah me too, I work this thing really fast, and I usually know what encoder to twist. Don`t need to think at all, just reach for the right knob
But on the next one.. I would go a bit bigger on the screen
If screen prices continue to drop as they have in recent years, that will certainly possible for a QC MkII or whatever. I agree that it would be preferable to eliminate the big knob, or move it above the preset up switch, and stretch the screen across the full width of the A-H switches. Not likely for our theoretical lower-cost DC, though. (And not half the problem in its current state as it's sometimes made out to be.)
I totally get where you're coming from here. FAS absolutely slays NDSP for quality and variety of FX.
On the other hand... I so rarely wake up thinking, "How will I ever be able to play my guitar today without a 'The Cytherians' reverb model?? Oh the horror the horror." Sometimes it all seems a little bonkers. Could do with a happy medium, maybe.
Absolutely. It seems reasonable to say, "No one needs 100 delay algorithms", right up to the point where your personal favorite gets pared back.Sure, but the same could be said for any amp/effect. I never once said “Man, I gotta write something using a IIC++ model” until I used the IIC++ and found it might be my favorite amp ever.
For me; the whole reverb craze started with the TBP 60 cycle hum vid. And pretty much ended once I had one IRL and went FAS verbs are I think Kemper (non spring) verbs are gorgeous as well. Helix has a few newer good ones.Yeah the QC isn’t alone in having terrible digital spring reverb. Those old Fractal ones are bad too, and I also hate the one in Kemper. But I do think QC wins the prize for being the worst of the worst in this category.
Spring reverb has oddly become one of the main considerations for me in choosing my next gear because it’s one of the features with the biggest differences between devices
The problem with one big screen is when that screen only shows one thing, like how on QC when you turn on the tuner you can’t see anything else.
For me; the whole reverb craze started with the TBP 60 cycle hum vid. And pretty much ended once I had one IRL and went FAS verbs are I think Kemper (non spring) verbs are gorgeous as well. Helix has a few newer good ones.