Sascha Franck
Rock Star
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Line6 effects aren't any better in this regard, I'd say their default settings are worse than Fractal's.
I have very little firsthand experience with Fractal stuff (only borrowed an Axe FX III for around a week when it was just available, mainly stayed within a bunch of presets), but quite some of the Line 6 effects are really bad by default indeed. Pretty much all delays and reverbs have their mix parameter up *way* too much, so that's the first thing you need to grab - and in case you're on a Stomp it already requires page flipping.
And we're really only talking delays and reverbs here. Couldn't imagine how much worse it'd be in case there was something more complexed to deal with.
Strymon Zelzah's Voice control is genius because it answers "phaser, flanger, chorus or something in between?" in one knob. Similarly Deco's Lag Time is "flanger, chorus, slapback or longer delay?" That sort of things can turn the complex into simple to understand. This stuff is more in line with the "let the eggheads who make these things figure out the hard stuff" that most people want.
That's exactly the kind of stuff needed.
But it's hard to find that sweet spot where the power users who want to tweak everything are happy, but also those who "just want a great sound and play" are satisfied.
And that's exactly why I mentioned the FM7. For anyone not willing to spend much time with it, the Easy Edit page is just what the doctor ordered - but you can still access each and every detail under the hood on the plain editing pages.
Parts of Logic have it pretty right, too. Most of the plugins delivered with Logic have some sort of macro/controller assignments ready to use, so you often don't even need to open the plugin UI anymore, the mapped controllers will cover most of your needs already.
All of that stuff could easily find its way into the land of modeling.
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