the-trooper
Shredder
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Yes.Is it normal practice with this kind of bridges?
Yes.Is it normal practice with this kind of bridges?
Although it may be a solution, the bridge is angled enough that this shouldn't be necessary. Have you ruled out a bad string? Assuming the obvious like they are fully stretched and played first? All the other strings intonated fine?I had to reverse the saddle of the G string to intonate it properly, and the low E is already at the limit. Is it normal practice with this kind of bridges?
Pretty normal. Don't worry about it.I had to reverse the saddle of the G string to intonate it properly, and the low E is already at the limit. Is it normal practice with this kind of bridges?
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Keep the neck pickup volume rolled down as standard. It helps with the excessive bass, makes the in-between sound better and basically allows switching to the bridge pickup to be like engaging a boost.So far I have been playing it only 2 or 3 hours. The tone is great. Construction and finishes are perfect. Flawless. But after four decades almost exclusively with Strats and SuperStrats, I may need some time to bond with it.
My clean and edge-of-breakup Axe-FX presets have too much bass. They need some adjustment for this guitar.
After playing a while with cleans I selected my favorite JVM410HJS preset, and it rocks! I thought: lets' play some Gary Moore! and I selected "The Loner" backing track. Wrong song choice... every two notes my hand was reaching for the whammy bar I had difficulties with some full bendings on the 1st string because lately I've been playing only with 9s
Then I switched to the J.Custom and I felt like at home (started to feel like some buyer's regret). But back again to the PRS, and I started to appreciate some of its particularities. I hope our relationship will get better
I don't know if I will get used to the two separated volume pots. I only need one! And you have to adjust both for the intermediate pickup position? I also like to reach it with my little finger for volume swells and fast adjustments. But I am not playing live anymore, so these things are not too important.
The guy at the PRS distributor shop was astonished "This is a S2!", "Same as S2", "Incredible!". I didn't had time to grab the real S2s or the other fine specimens they had hanging on the wall though
NGD! New baby at home
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You were right, Sir. At the shop I had a PRS double cut on my hands, and it looks cool
Pretty normal. Don't worry about it.
The Tune-o-matic as a bridge design is a pile of crap that unfortunately keeps prevailing. Low intonation range is one of those things.
I had to reverse the saddle of the G string to intonate it properly, and the low E is already at the limit. Is it normal practice with this kind of bridges?
View attachment 4033
NGD! New baby at home
View attachment 4001
You were right, Sir. At the shop I had a PRS double cut on my hands, and it looks cool
Although it may be a solution, the bridge is angled enough that this shouldn't be necessary. Have you ruled out a bad string? Assuming the obvious like they are fully stretched and played first? All the other strings intonated fine?
Edit: Your D and G are kind of in odd spots for a new guitar, in my experience. Definitely looks odd for me, not unheard of, of course.
Can you tell me more about that ibanez to the left tho?
What about putting the springs on the other side of the saddle? Seems to me their purpose is to simply dampen any play between the threads inside the saddle and the screw threads, which I'd think they'd still accomplish on either side.Already stretched with a Stretcha tool, and played for hours. These intonation points do not change. The D and the low-E are also at the limit (the spring is fully compressed). If they had to be further adjusted, I would also have to reverse the saddles
I've tried, but then the saddle is flat against the wall, with no room for further adjustment. Reversing it leaves room to adjust in both directions.What about putting the springs on the other side of the saddle? Seems to me their purpose is to simply dampen any play between the threads inside the saddle and the screw threads, which I'd think they'd still accomplish on either side.
I think I'd try either that, or reversing the saddle..., whichever would result in those springs not being completely compressed.
I swear EVERY guitar under $1500 that I've bought the last few years has had some sort of electronics fault. It's so frustrating. I get the whole switching from rosewood to Laurel fingerboard on budget guitars; even less than perfect fret/nut work. But at least make sure everything is soldered!Faulty connection and a dirty job at the pickup switch. Suddenly the bridge pickup randomly started to sound very low. I opened the switch cover and I found the ugliness
- There are rests of wires that were previously soldered and have been cut. It looks like a recycled switch.
- I gently touched the cables, and the white wire of the bridge pickup was disconnected. Faulty soldering
- Very dirty soldering. Unprofessional
- The plastic of the green wire is partially melted
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I think that I will subscribe to the PRS forum just to post this.
I can fix it, but if it had happened on a gig it would have been a disaster
On the positive side, I am bonding with this guitar
Already stretched with a Stretcha tool, and played for hours. These intonation points do not change. The D and the low-E are also at the limit (the spring is fully compressed). If they had to be further adjusted, I would also have to reverse the saddles
That is the J.Custom RG8570CST. It cost me a liver because I ordered it from Japan and they fully charged me with Import Duty and Tax on arrival, but it was worth it. It is the final keeper after many failed attempts to replace my old but almighty RG550LTD (two Suhrs, one Tom Anderson, two J.Customs, two Prestige, one JS2450 and one JEM amongst others. They all had issues or no added value over my old RG).
BTW, talking about selling livers to buy guitars, when I arrived home with the SE McCarty 594 and told my wife what I paid for it, she said it is good that I have chosen an inexpensive guitar, and she didn't made further comments
Check the nut height and see if that’s your intonation problem. If it’s good, then cut the springs down, flip saddles, whatever you need to do to get it intonated. What gauge strings?
D
“Look lady, the bills are paid, emergency funds are in the bank, we’re not living off pasta noodles and butter, this guitar hurts no one or no thing and it’s pretty to look at. You can name it with me.”
At the end of the day, the reality is that I will just appear home with the guitar (I cannot hide it, and that would be a ridiculous thing to do).
Good luck with that one. Be sure to duck after saying it if you're in the kitchen and have your bedding on the couch well in advance.
It's better to ask for forgiveness than for permission.