there was a time when you just either played a super strat or a les paul
25" scale length on a thick af double cut maple/mahogany slab of violin carved glass dipped JimmyP on a 5-way, cradling the HolyFuckingShit bridge pickup, was, in fact, if you can believe it, not initially a cash grab. at all.
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SE, S2, private stock, now it's just about maximizing numbers. but how perfect can you really make something before you inevitably have to concentrate the essence and bring it down to the toy box level. I don't think it's really a bad thing, to have SE and S2 stuff next to squier and epiphone. it just makes less room for the really good stuff.