JiveTurkey
Goatlord
- Messages
- 16,083
I mean, maybe? Seems like FAS, Boss and even Ampero, et al have done things differently. None scream Helix to me. Rant over lolIt would be a mess, IF they did other colors ??
If say, I came from a Helix, and got me a QC and the colors were random
If I get a new phone, or a new car and everything would be the other way around, it would be hard for me to buy that. I think making stuff in the same ballpark is a good thing. It looks like the grid of the Helix..yup! But I can get used to that really quick
I had my time in punk bands in the 90`s ( singing and guitar ) but i strugle to listen to `punk` with new bands, hehe. The song started really cool!Their second album Time and Space is a lot more hardcore punk where the newer one Glow On is a little more experimental with ambient and dream pop mixed in. Both pretty cool.
Hmmm, I`ve never had a better headphone listenling experience with some other modeler then the QC. I think I lover the HP level down a bit, and maybe the Multi OUT. hmmm I thinkQC owners: is it me or is the whole headphone experience just off on the QC? Levels are all over the place (will try with high impedance headphones) and sound is either harsh with no headroom or just lower volume after applying a bunch of high cuts. The FM3 has an excellent headphone amp IMO (certainly making up for the AX8, lol).
Thoughts?
True, but I think you need to look at the timelines with some of these products. (And not just whether they're different, but whether they're better or worse.) Like yeah, FAS looks very different from HX (and by way of extension QC) because FAS has looked more or less the same for a thousand years. Same for most of Boss' products (except for that one time Roland went with a Q-Bert theme for no discernable... you know the drill.) This stuff is going to look different to newer products to extent that it looks dated.I mean, maybe? Seems like FAS, Boss and even Ampero, et al have done things differently. None scream Helix to me. Rant over lol
I’m using ATX-M40x headphones which sounded fantastic with the FM3 and great through my Motu M2. In fact, if I reroute the QC through the M2 and use that headphone amp it sounds better.Hmmm, I`ve never had a better headphone listenling experience with some other modeler then the QC. I think I lover the HP level down a bit, and maybe the Multi OUT. hmmm I think
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I guess, but if you look at Headrush and TMP, whether you like them or not, they ate still doing their own thing. Guess just still griping about the QC UXTrue, but I think you need to look at the timelines with some of these products. (And not just whether they're different, but whether they're better or worse.) Like yeah, FAS looks very different from HX (and by way of extension QC) because FAS has looked more or less the same for a thousand years. Same for most of Boss' products (except for that one time Roland went with a Q-Bert theme for no discernable... you know the drill.) This stuff is going to look different to newer products to extent that it looks dated.
As things move forward, it doesn't surprise me to see UIs converging toward a place where they're sensible and easy on the eyes. A lot of this is universal, and the rest tends to be arbitrarily standardized over time. This helps reduce learning curves - especially important at point of sale. The only time I expect a radical departure in UI is when there's a radical departure in hardware or feature set.
Also true. I guess at this point I would ask: at what cost are these companies embracing differentiation for its own sake? Particularly with the TMP, which clearly trades practical functionality for eye candy. (I don't know much about the Headrush.)I guess, but if you look at Headrush and TMP, whether you like them or not, they ate still doing their own thing. Guess just still griping about the QC UX
Mystery is the reason I love themI’d probably dig some Turnstile if I dug in a bit more. Skipping around that track above, they get into some poppy elements that kinda grates on my ears, going in the opposite direction of why I dig Knocked Loose so much. Once it got into that “Mystery” section with that play on the millennial whoop chorus…..
There’s a hard line for me between a catchy/melodic chorus and that bullshit.
Mystery is the reason I love them
^That was the first bit of their music I heard. It reminded me of when I first heard the Blue album from Weezer back in 90 whatever. And not the GD Buddy Holly song but stuff like my My Name is Jonas and In My Garage. Not the same style at all so much as this sort of punk adjacent pop melancholy and longing with some rockin' parts interspersed.#gettingwarmer
Though I have to say: when Mystery cued up right behind Holiday, my first reaction was, "Didn't I just hear this?"
Some very heavy grooves interspersed throughout, though.
I’m going to ignore that because the first thing that popped in my head when I read it was “Wait…..he also said he didn’t like King’s X….I’m not going down this path any further”
I'm ignoring the "beef" (and associated subtext) and using the memeI just shit myself.