Line 6 Helix Stadium

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King with his multiple universe alt accounts and Tim talking with himself…. Dayum… thats enough to start a whole new forum!

KTF!



Oh and there’s me too… not saying anything important at all everywhere.
 
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[...] The lead engineer replied, “What you seem incapable of understanding is that it doesn’t work like that. One woman can have a baby in nine months, but I don’t care how many women and how much money you throw at them, they can’t make a baby in one month.” [...]
Yes, I remember very well how a certain someone said that over 50 engineers were working tirelessly on a certain product. Now look how that turned out...
 
I’m not the only one who feels like the HX reverbs and delays leave something to be desired.
Yeah, they could both stand to be improved. One of the things I like about Fractal delays and reverbs is that they’re more prominent due to a different mix law and the EQ options. They just plain sound better. The HX delays seem to need close to 50% mix to be almost as audible as Fractal’s at pretty much any lower mix value.

HX reverbs aren’t in the same ballpark quality wise as the Fractal either. At least not the ones that sound like natural spaces. I can get okay results but they are not Strymon quality.
 
I have not been the biggest fan of the L6 reverbs and delays either. I'm not saying they were unusable but I kept finding myself not quite satisfied. I haven't tried them in a while though so it's certainly possible they've added some that I might like more.

I'm not the biggest fan of the QC's reverbs and delays either. Same deal--they're not unusable but not all that inspiring either.

This is why I have the VP4. If I do end up with a Stadium (and I already got on the waitlist for one) I can just put the VP4 in a loop if I want and be GTG. I get that folks would rather not feel the need to do that; I'm just saying it's not a concern for me.

Edit: Also I love having rack-style reverb, delay, chorus, and stereo micro pitch where they are all in parallel with a dry path. It's kinda tough to do that in the non-fractal units. I was able to figure it out for three effects in the QC though.


And earl grey is gross. Constant Comment ftw.
 
Yeah, convolution is great for conveying a specific acoustic space (or as you say, things with special acoustic properties, like springs), but they tend to be less musical than algorithmic reverbs.

IRs also allow you to do some wild stuff. Should I post those "Frog Orchestra" or "Crumbled Liquorice Bag" reverb clips again?
 
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