Chocol8
Rock Star
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If NAM has more aliasing, how can it NULL significantly better?
Please tell me you are not a real engineer. Leo's null tests are not at all valid. If you don't understand that you are lost.
If NAM has more aliasing, how can it NULL significantly better?
Let’s not forget that forums are frequently a vector for folks who are learning and ramping up on various topics. We’re not all experts on every topic.Please tell me you are not a real engineer. Leo's null tests are not at all valid. If you don't understand that you are lost.
Let’s not forget that forums are frequently a vector for folks who are learning and ramping up on various topics. We’re not all experts on every topic.
Funny enough that's also true for me but I usually try to cram everything for a gig into a single kitchen sink preset. That's why I also like the idea of global blocks so I could use presets more.My patches are pretty simple most of the times so not a major issue for me
Gate --> Drive --> Amp --> Cab/IR --> Delay --> Verb
Maybe some modulation but rarely
According to his comment section, he's doing the Lord's work.This topic has been covered heavily and very recently. I would not expect the average guitarist or even the average forum member to understand the topic, but if you are an engineer and following the topic, it shouldn’t take very long to see the major problems with what Leo is doing.

Ok.This topic has been covered heavily and very recently. I would not expect the average guitarist or even the average forum member to understand the topic, but if you are an engineer and following the topic, it shouldn’t take very long to see the major problems with what Leo is doing.
2 key takeaways that I see:
-aside from any numerical testing, there were still audible differences which we know L6 is actively working on
-integrate NAM into the Stadium to cover all angles
I agree. My only point is the gross hypocrisy on display.But how does it sound/feel to the ears, that SHOULD be the only thing that matters to each individual. I wondered as an outside observer how the L6 would take his testing. As a Fractal/KPP V2/soon Sonulab, I really could give a sh*t about this testing. It's meaningless to my ability to enjoy any of this gear. Stadium owners, just enjoy making music!
First, read my comment above.Please tell me you are not a real engineer. Leo's null tests are not at all valid. If you don't understand that you are lost.
Provided that you're not a chemical engineer. Or drive trains.if you are an engineer and following the topic, it shouldn’t take very long to see the major problems with what Leo is doing.
My point is clear. If Null Tests are a good metric as vehemently defended in these forums by a butt ton of people, and accuracy is the definitive deciding factor for purchasing one of these devices, then Proxy deserves Kemper like treatment here from the masses.
Nice one for doing this.
Sentiment definitely seems negative but my possibly flawed memory is that we’ve migrated position over time. When Tonex first arrived everyone and their mother had null tests happening.Isn’t the overwhelming rhetoric here that null tests are NOT a good metric to use, therefore it’s all kind of nonsense. Who’s defending them here saying they’re the thing to use?
I was a junior in engineering school when I figured out there would be no train driving in the curriculum. Stuck with it anyway, ha. Despite that academic background, I don't see a ton of utility in trying to boil something like a guitar amp capture process down to a single number to compare across different devices. I don't begrudge anyone interested in such things, or comforted by them. I've never paid any attention to what Leo does, I'm just not interested, so I dunno if he's doing things rightly or wrongly, or doing the right or wrong things to start with. I have a Stadium to listen to and I just roll with that. I haven't messed with proxy yet. At some point I might download a clone to check out, but once I learned that a Proxy instance is as DSP intensive as a full up Agoura model, my envisioned use for it withered on the vine (I'd hoped that maybe taking snapshots of an Agoura model set a certain way and substituting the clone to get an essentially equivalent tone for a little less DSP).Provided that you're not a chemical engineer. Or drive trains.
I hope you're not referring to me, and no I have no plans to own a Stadium. AXE3, KPP, Sonulab Pro, and Tonex. I think I'm spread around enough.I agree. My only point is the gross hypocrisy on display.
So, do you own a Stadium then?