Line 6 Helix Stadium Talk

Not trolling, dead serious. I'm not even using L6 for my amp tones, I'm using Tonex. I really don't care because I'm happy with what I have. What I'm saying is you can't compare different models with the same settings.
Yes, we understand the point you’re trying to make. It’s just that you’re wrong and you’re the only person who hasn’t yet realized it.
 
Welcome to the forums. We don’t have jackets, but we should.
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What is up with people who have no experience with products being discussed pushing their statements as absolute fact lately?


I didn't thats how you read it. I said, "I'm betting that there's nothing wrong with anyone's modeling. Just models of physical amps that sound different."

It's pretty clear that I wasn't choosing a side.
 
This is based on a lifetime of professional guitar playing, that multiple versions of the same can and do sound different. Have you never had a friend with a "magical amp" that just sounds better than yours?

I guess folks around here would have to have friends for that... :bag

What a cock. Classic I'm not trolling behaviour.

A) use your ears man -Tick
B) I'm a professional touring guitarist - Tick
C) Now you have engagement start with the "you have no friends" insults. - Tick

Fuck off.
 
This is based on a lifetime of professional guitar playing, that multiple versions of the same can and do sound different. Have you never had a friend with a "magical amp" that just sounds better than yours?

I guess folks around here would have to have friends for that... :bag
Is your lifetime of professional guitar playing more valid than anyone else's? It's from my experience that I can make AND SHOW that something is off. I'd have thought an experienced professional as yourself would have a good enough ear to hear when something isn't right.

I've owned and compared enough amps and models to know how similar to expect things to be. Maybe it's an area for you to explore? Your current argument is along the lines of "trust me bro". If you're going to respond to people who've given examples, maybe provide some of your own?
 
Not sure if I understood but, is the problem that high end amps have too much treble or what?

It reminded me to last time I was at the studio mixing songs with my producer. Our keyboardist (20) said treble was way too high and the rest of us (35-40) disagreed, but then we sent the mixed to several friends and the young ones felt the same as our keyboardist. Conclusion: we older people had lost some audition and were indeed pushing the high frequencies😅
 
While we're waiting for the bugs to be squashed and more light to be shed on top-end stuff, can I once again gush about the Silver Jubilee :chef

You can listen to me slaugtering this GNR riff. Sorry for the slop :bonk




Loving that kerang and chewy stuff when muting. This is my go-to now for crunch tones. It even works for cleaner tones, so I'm using it as a basis for my kitchen sink preset for now and will see if I can cover the ground I need with the band. If you haven't messed with this amp, I have to ask you to stop typing and get to it lol
 
Cue the Big Dick song!
You sure this was the forum you meant to visit??

Is your lifetime of professional guitar playing more valid than anyone else's? It's from my experience that I can make AND SHOW that something is off. I'd have thought an experienced professional as yourself would have a good enough ear to hear when something isn't right.

I've owned and compared enough amps and models to know how similar to expect things to be. Maybe it's an area for you to explore? Your current argument is along the lines of "trust me bro". If you're going to respond to people who've given examples, maybe provide some of your own?
Not to mention that I’m gonna value the studio guys’ tonal input over the touring musician. All the “touring pros” I’ve worked with were half deaf by the time I got there. It’s always weird to me when people play the experience card, as if anyone here is going to be impressed. Several of us have amp collections nicer than some high dollar studios. Plenty of touring pros around too.

I’m not buying Stadium because I need more amps. I’m buying it because it makes production SO MUCH EASIER to have consistent, recallable amp tones that can be used in the same manner as I would the real amps I own and record. This whole issue popped up because a group of us who track amps A LOT immediately noticed that Stadium’s behavior is inconsistent/unusual compared to what we are used to hearing from real amps we use every day. This isn’t some narrative one of us cooked up and the rest ran with.

All for discussing methodologies with folks in good faith. Low effort trolling is gonna get ignored from here on out.
 
While we're waiting for the bugs to be squashed and more light to be shed on top-end stuff, can I once again gush about the Silver Jubilee :chef

You can listen to me slaugtering this GNR riff. Sorry for the slop :bonk




Loving that kerang and chewy stuff when muting. This is my go-to now for crunch tones. It even works for cleaner tones, so I'm using it as a basis for my kitchen sink preset for now and will see if I can cover the ground I need with the band. If you haven't messed with this amp, I have to ask you to stop typing and get to it lol

Sounds like plenty of treble to me. Seriously sounds great.
 
Not sure if I understood but, is the problem that high end amps have too much treble or what?
No, the real amps have the correct amount of top end. Models have a reasonably clear objective on what they're supposed to sound like, even if there are some variables involved.
Honestly, I came here because I heard it was similar vibe to HRI back in the day
Do you post like this on every forum you go on? Never been prouder to be part of this place.
 
How come no one ever uses the "Fractal just has a different amp" excuse?


:sofa:getmycoat

In all seriousness - and I'm not saying he hasn't earned the credibility - Cliff is given wide credit for almost always having nailed accuracy out of the gate every time.

Even when he comes back in later firmware revisions and says he fixed incorrect values and behavior, no one seems to pick up on it before him. And to their credit, they seem to have modeled proper stock versions of iconic amps like the Plexi and JCM800 right out of the gate. Line 6's collection has modded versions. They also model categories with far more choices, so if, for example, you don't care for their Mark IIC, they have a IV, V, Triaxis and JP2C to scratch that itch. Several Plexis. Several JCM800s. Two different Rectos with all channels modeled. And so on and so forth.

I think Line 6 gets far more granular null/EQ/comparison tests than Fractal in my experience. And because they have less choices, each model carries a lot more weight/responsibility.
 
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