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Yeah same. It is my favourite "complete" amp in both Fractal land and Helix land.I like the Revv Generator. I think it's a great sounding amp and wouldn't mind having one tbh.
Yeah same. It is my favourite "complete" amp in both Fractal land and Helix land.I like the Revv Generator. I think it's a great sounding amp and wouldn't mind having one tbh.
I will go to bat for the REVV amps and their inclusion, tho. They are basically line 6 partners at this point, and they are being used by a lot of guitarists who I respect (Most recently, in the rig rundown for Will Putney and Jordan Buckley of Better Lovers). They deserve their slot.
Dumb amp. Get The House of Mark in order >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>than this dumb turd.Note to future modeler manufacturers:
The Revv Gen should be the 57th amp you model, not the 7th.
The Bogner Ecstasy clips…
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You can get very Rec-ish or 5150-ish tones from the Revv. I think it is a solid choice.But over a Dual Rec or Mark?
Pretty sure every version of the POD had an eruption and Cliffs of Dover preset in the first bank or two, presumably to give guitarists a benchmark they could look to for something familiar.I'm going to say that they could do more specific demos that speak to the iconic nature of the heads/cabs/etc. they're modeling.
People have already noted it, but we've heard the Plexi multiple times, but never in cranked "Kerrang!" Mode. Instead, a lot of single-coil and volume knob/playing dynamic variations. That's important TOO, but we wanna hear "the thing".
Same for the 5150 III first impression being a Satriani knockoff. That's not what people are using that amp for. It's a benchmark metal amp, so a metal player should carry that banner.
But over a Dual Rec or Mark?
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You can get very Rec-ish or 5150-ish tones from the Revv. I think it is a solid choice.
I'd love to take a punt on this, but .. see afforementioned buttertwats flying out of my wallet right now.
That’s exactly what makes the real amp appealing, and exactly why i’m indifferent about amps like this in modellers. For live use it’s really useful to have that variety, and even if it doesn’t totally nail each amp it covers all the ground without having to rely on taking 4 different amps on the road.You can get very Rec-ish or 5150-ish tones from the Revv. I think it is a solid choice.
That's just the site—5 clips per amp. To properly do Focus zones justice, we'd have to run the entire DSP engine on the site, which ain't happening.I could only get it to select each zone. I couldn't select anything in between the five zones.
HX One was a test platform for those scribble strips, which had to be approved by YCJ. By default, the main LCD and scribbles dim after 5 minutes of non-use or no audio, but this can be extended to 30 minutes.The OLED scribble strips…. As they’re oled, how to they not burn in if you leave them sat there on the same preset for hours?
It must be the case that they don’t give because original helix floor had these and they’re doing it again. Just nervous from history because of an OLED tv back in the early days with that tech and also my (very nice) espresso machine display has an oled that does a screen saver thing.
That's the thing—you actually know what real amps are supposed to sound like. Younger guitarists don't—they associate the sound of an amp with the latest Sleep Token or Five Finger Death Punch album or whatever.Checking the Hype demo now and trying to have an open mind....
Wrong. The Revv slays.Note to future modeler manufacturers:
The Revv Gen should be the 57th amp you model, not the 7th.
Dumb amp. Get The House of Mark in order >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>than this dumb turd.
Agree with all this, but also, the EVH and XTC and 2203 were only just released on Helix and probably stand to gain less with the newest modelling than revisiting some older helix models (which often don’t have all the modes and channels).The flip side of that as if it the first 16 were only iconic amps, people would say that there's nothing new in there and they're modeling the same old sounds that everyone uses.
I will say that it's a little strange to me to model an amp with as many channels and functions as a Generator 120, but then leave off half of them. The Peavey Invective gets modeled in full, but half the REVV channels are nowhere to be found. All of the Mark IV channels, but only half of the VH4 and so on and so forth....
There's some sort of strategy there, but I have no idea what it is.
The flip side of that as if it the first 16 were only iconic amps, people would say that there's nothing new in there and they're modeling the same old sounds that everyone uses.
I will say that it's a little strange to me to model an amp with as many channels and functions as a Generator 120, but then leave off half of them. The Peavey Invective gets modeled in full, but half the REVV channels are nowhere to be found. All of the Mark IV channels, but only half of the VH4 and so on and so forth....
There's some sort of strategy there, but I have no idea what it is.
You can get very Rec-ish or 5150-ish tones from the Revv. I think it is a solid choice.
I'd love to take a punt on this, but .. see afforementioned buttertwats flying out of my wallet right now.
Personally I'd rather have one of these than anything Bogner.


he did ?Damn, bro. I like 'em both. Complete guesswork on my part, but I am almost certain that the Mark IV will be in 1.2.
DI has confirmed that there is a three-channel amp in there, and I can't see any other one that makes sense besides that.
HX One was a test platform for those scribble strips, which had to be approved by YCJ. By default, the main LCD and scribbles dim after 5 minutes of non-use or no audio, but this can be extended to 30 minutes.
That's the thing—you actually know what real amps are supposed to sound like. Younger guitarists don't—they associate the sound of an amp with the latest Sleep Token or Five Finger Death Punch album or whatever.
Hype attempts to bridge the gap between products that embrace authenticity, perhaps to a fault (Line 6, Fractal, UA) and those that claim to be authentic, but instead, bake in multiple stages of filtering and dynamics that cannot be dialed out. It's totally fine to ignore Hype. (It's off by default for all Agoura amps.)
he did ?
well Badlander is clean/crunch/crush so that is 3 technically
HX One was a test platform for those scribble strips, which had to be approved by YCJ. By default, the main LCD and scribbles dim after 5 minutes of non-use or no audio, but this can be extended to 30 minutes.
Hype attempts to bridge the gap between products that embrace authenticity, perhaps to a fault (Line 6, Fractal, UA) and those that claim to be authentic, but instead, bake in multiple stages of filtering and dynamics that cannot be dialed out. It's totally fine to ignore Hype. (It's off by default for all Agoura amps.)
Yeah but those lunchbox thingo's aren't really representative of good amps nor good tone IMO. They're just stocking fillers. It'd be like rejecting Orange coz they did the Tiny Terror, when the Rockerverb and Thunderverb are dickpunchers.Let me elaborate now that I've had my enchilada
Tried some Rev D20 turd in GC randomly one day. It had nowhere near enough gain for anything worthwhile and was running on 6v6s. BUT I CAN RUN IT DIRECT? Who would want to run this anemic absolute dog turd direct to house? Barf. Gee; wonder why I hated it and lump all their amps in this same category?
I think I need another enchilada![]()