paisleywookiee
Rock Star
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-Why not move to USB-C (spare me the BS about how type B Is "more rugged" its not)
Anecdotal, but yeah I call bullshit on type B being more robust.
-Why not move to USB-C (spare me the BS about how type B Is "more rugged" its not)
Line 6 stadium - usb-cAnecdotal, but yeah I call bullshit on type B being more robust.
Just to be clear, wasn't saying you were bullshitting; just that others who had said that were. It's good all of those devices are USB-C, because I feel it's a better connection, having been using it for 10 years already.Line 6 stadium - usb-c
Fractal VP-4 - usb-c
NDSP Nano Cortex - usb-c
Tonex One - usb-c
The only one to release a product in the past 2 years that's not USB-C seems to be Kemper. I think it's safe to say these companies will be using it moving forwards on any future products.
Not the same category but still high end products:
Strymon Big Sky MX and all the smaller ones- usb-c
Meris LXV, Merc X, Enzo X - usb-c
Eventide H90 - usb-c
All good, I know. I was just adding to your comment before someone came and chimed in that USB-C isn't sturdy or 'pro' despite all signs that pretty much every other major company in this space seems to have used it on their newest releases and the entire world moving towards it as a unified cable type.Just to be clear, wasn't saying you were bullshitting; just that others who had said that were. It's good all of those devices are USB-C, because I feel it's a better connection, having been using it for 10 years already.
I thought it would be at least a few comments before someone said that Kemper shouldn't change to USB-C because owners already owned USB-B cables...hahaHonestly I prefer USB-B over USB-C for these things because I'm lazy and like to use the nice long cables I already have
I can see smaller desktop units being better with USB-C especially if they're bus powered. And obviously anything that needs to be charged should be USB-C.
We have had this same discussion in the NAM comparison thread awhile ago. Same type of differences.Which is the real amp is not the relevant question. Can you hear differences is the relevant question, and yes, I can. They are massive. The first clip has a very different mid-range texture, and the low-end seems more subdued than the second clip. Second clip has a smoother mid range.
I won't guess which is the real amp, but what I would say is, I preferred the second clip. I would not be happy with the first clip, whether it was the real amp or the Kemper.
Definitely understand.That's fair. However, it's annoying to me that I'd dial in a tone, and get a different one, and your clip shows. If you like one of the tones, you won't necessarily like the other. Do you then try to EQ it? Redo the profile?
Couldn't find the thread. Anyone with a link? NAM has come significantly closer to source than Kemper in my own tests, so I'd like to see this comparison.We have had this same discussion in the NAM comparison thread awhile ago. Same type of differences.
The readers can judge for themselves
Not sure what i was remembering but I think it was this and obviously it isn't NAM.Couldn't find the thread. Anyone with a link? NAM has come significantly closer to source than Kemper in my own tests, so I'd like to see this comparison.
I thought it would be at least a few comments before someone said that Kemper shouldn't change to USB-C because owners already owned USB-B cables...haha
Or maybe it was this:Couldn't find the thread. Anyone with a link? NAM has come significantly closer to source than Kemper in my own tests, so I'd like to see this comparison.
I'm a reader. I'm judging for myself.The readers can judge for themselves
I’ve always wondered about that. When you play out are you using different speaker models or sticking to one? Mic’ing the Kone or DI? In theory it seems cool (same with the speaker modeling in the PowerCab) but in use I’d probably just pick one and stick with it for consistency live. For recording if I’m not mic’ing a cab it wouldn’t even come up.Most people don't realize that there is one real USP with Kemper, that no other platform has: the combination of their proprietary Kone speaker and in the Profiler the models of most common guitar speakers matched to that Kone (called Imprints).
If you run a powered Kemper or an unpowered one through a power amp to a Kone cab and set your preferred Imprint (V30, Greenback, ...) you get it very damn close to actual amp in the room feel, at any volume. The Imprint gives you a quick change of tone and you can adjust directivity of the powered Kone signal. It really works and is the one thing that makes it in my ears so superior to any digital solution out there.
Serious question: how's it better than a power amp and guitar cab, besides the ability to keep switching speaker emulations (which I'd never do live anyway)?Most people don't realize that there is one real USP with Kemper, that no other platform has: the combination of their proprietary Kone speaker and in the Profiler the models of most common guitar speakers matched to that Kone (called Imprints).
If you run a powered Kemper or an unpowered one through a power amp to a Kone cab and set your preferred Imprint (V30, Greenback, ...) you get it very damn close to actual amp in the room feel, at any volume. The Imprint gives you a quick change of tone and you can adjust directivity of the powered Kone signal. It really works and is the one thing that makes it in my ears so superior to any digital solution out there.
I use one for dirt and one for cleans, full range for acoustic. But to PA I go direct, the Kone is for stage sound and on small gigs for filling.I’ve always wondered about that. When you play out are you using different speaker models or sticking to one? Mic’ing the Kone or DI? In theory it seems cool (same with the speaker modeling in the PowerCab) but in use I’d probably just pick one and stick with it for consistency live. For recording if I’m not mic’ing a cab it wouldn’t even come up.
Most people don't realize that there is one real USP with Kemper, that no other platform has: the combination of their proprietary Kone speaker and in the Profiler the models of most common guitar speakers matched to that Kone (called Imprints).