“So we packed up everything, we moved down the hall, we didn't have an amp, we didn't have microphones. I had this little Gorilla amp which was a practice amp and which no-one in their right mind would ever record with, but it was there. And I think I had it for just practising parts in the hallway. So we put that in the music room, and we didn't have a microphone, and so in Studio D there was this funky little talkback microphone that looked like it came from a radio studio 40 years earlier, so I said, ‘Can we use that?’
“So we took that, we unwired it, we hooked it up to my cable, we put it up against this little Gorilla amp which had a six-inch speaker in it, we turned everything up all the way, and then the Atari machine that we had had the ability to record in reverse without having to flip the tape over, which was a big deal back then. So that made it really easy for us because we didn't have a lot of time to be flipping tape back and forwards. I think it took 10 minutes just to get the sound and to record that thing, and we listened back to it and were like, ‘Okay, that's done!’”
