Hotone Ampero II Stomp - Review

I'm surprised with the varying experiences to be honest. I've come from a POD Express and Strymon Iridium and neither captured my attention quite as much as the A2S. I think you are getting a lot of quality for your money but you have to put the work in to understanding how the pedal performs to get the best out of it. Global EQ helps greatly. I'm having great fun with the AC30WTB amp at the moment using some Celestion IRs, Vintage Rack delay and 140 Plate HQ Reverb, okay I am cheating a bit by boosting it into breakup with a HX One Timmy (the drives are pants IMO) but absolutely competes with Helix for the tones and versatility. Yep some amps are better than others but the majority are great.
I’m in this camp. Have Fractal stuff and have never clicked with Line 6. Not for a lack of trying though. Using a Stage though.
 
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Let's have a pickle rating for the Ampero 2 Stomp.

The scale is 0-5 picklesNotes
Inputs and outputs:pickle:pickle:pickle:pickleExp/Ctrl jack position sucks.
USB jack position could be better.
Form factor:pickle:pickle:pickle:pickle:pickleSmall and portable.
Onboard controls:pickle:pickle:pickle:pickleCould use a separate headphones volume/mix.
One extra encoder would be nice.
Touchscreen is responsive.
Footswitching:pickle:pickleLimited options.
MIDI control:pickle:pickle (:pickle)1Needs "bypass this block" mapping and parameter mapping.
1) Extra :pickle can be had with fw update that adds preset/f.sw MIDI send support.
A2 Stage already has it.
Onboard user interface:pickle:pickle:pickle:pickle:pickleGreat!
Computer editor:pickle:pickle:pickle:pickleVery solid and easy to use. Bonus points for good multi-IR import.
Routing:pickle:pickle:pickleNeeds "only a few blocks in parallel" routing.
Amp modeling:pickle:pickle:pickleAmps are too dark.
Poweramp drive simulation needed on master volume models.
But they do sound good in general.
Cab modeling:pickle:pickle:pickleCab block could use higher res IRs.
IR block settings should stick between IR changes.
Drive:pickle:pickle:pickleGood selection, maybe not as good sound as Helix drives?
Modulation:pickle:pickle:pickleCould use more options.
Pitch:pickle:pickle (:pickle)22) If they fix that broken "virtual capo" String Shifter effect.
Delay:pickle:pickle:pickle:pickleGood selection, good sounds.
Reverb:pickle:pickle:pickleSprings could be better. Specialty reverbs don't have much adjustment.
Utility fx:pickle:pickle:pickleSolid noise gate, EQs, enhancers etc.
Great global EQ.
Value for money:pickle:pickle:pickle:pickle:pickleYou get a lot for the money in the Stomp.
The value for money goes down a bit on the more expensive Stage/"Ampero 2"
as you don't get more DSP or anything.

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"What can Ampero II users expect in future firmware updates?

User feedback plays a vital role in our development process. Some exciting updates are being considered for the Ampero II include a CPU usage indicator, a feature frequently requested by our community. Additionally, we plan to expand the library of downloadable capture files, featuring more classic amps and pedals.

We’re also exploring deeper integration with the Hotone Community through the desktop editor software. This would enable users to seamlessly upload and download presets and capture files, fostering a collaborative and enhanced user experience."
 
I found a really weird way to activate the wah without using scenes. This is used in some of the stock presets too.

1. Add Wah block.
2. Turn Wah block off.
3. Set EXP to EXP 2 from the top bar.
4. Set EXP 2 to control Wah Position parameter.
5. Select EXP 1 from top bar.

Now when you select EXP 2 (can be assigned to a footswitch) it will automatically turn on wah, and going back to EXP 1 will turn it off. This is used in some factory presets to toggle between volume/wah for expression.

It can be used as a workaround for not having auto-on functions for expression, as long as you have something to toggle EXP 1/2. The lack of a second EXP/CTRL jack on the A2 Stomp sucks for this as you can't use the footswitch on the Hotone Ampero 2 Press for example, but MIDI could be used instead.
 
I have a unique situation I'd like your guy's thoughts on.

My guitar has two outputs:
one output is for the bridge humbucker (I use this for guitar sounds so let's call it the guitar output)
the other output is for the neck pickup, which is a hexaphonic pickup that only picks up the E and A strings (I use an octave pedal to mimic a bass so let's call this the bass output)

I am looking for the smallest and most affordable multieffect that can run both outputs in parallel paths.
I am considering the Ampero 2 Stomp.

However, I regularly play live in dive bars which provide the backline. That means I would like to disable to cab IR and run the Ampero into the fx return of the amp.

So my routing might look something like this:
Guitar > distortion > amp/preamp > flanger > delay > noise gate > into real amp's fx return
Bass > octave > bass EQ > comp > comp > into front end of real bass amp

Would this be possible?
 
I have a unique situation I'd like your guy's thoughts on.

My guitar has two outputs:
one output is for the bridge humbucker (I use this for guitar sounds so let's call it the guitar output)
the other output is for the neck pickup, which is a hexaphonic pickup that only picks up the E and A strings (I use an octave pedal to mimic a bass so let's call this the bass output)

I am looking for the smallest and most affordable multieffect that can run both outputs in parallel paths.
I am considering the Ampero 2 Stomp.

However, I regularly play live in dive bars which provide the backline. That means I would like to disable to cab IR and run the Ampero into the fx return of the amp.

So my routing might look something like this:
Guitar > distortion > amp/preamp > flanger > delay > noise gate > into real amp's fx return
Bass > octave > bass EQ > comp > comp > into front end of real bass amp

Would this be possible?
Tried this with the most demanding models I could find for each and it can fit. For connections you'd run Input L/R and Output L + Fx send.

This is running close to the limits of the A2 Stomp, but you can get a bit more leeway by choosing less demanding delay/drive/amp options in case you want to have e.g a bass flanger or something. Since the preset switching is so fast, you could also build less complex presets and switch between them instead.

With some adjustments I was able to throw in a bass drive, bass preamp (some amps would fit too), and reverb for guitar.

Screenshot 2024-12-16 at 12.26.00.png
 
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Tried this with the most demanding models I could find for each and it can fit. For connections you'd run Input L/R and Output L + Fx send.

This is running close to the limits of the A2 Stomp, but you can get a bit more leeway by choosing less demanding delay/drive/amp options in case you want to have e.g a bass flanger or something. Since the preset switching is so fast, you could also build less complex presets and switch between them instead.

With some adjustments I was able to throw in a bass drive, bass preamp (some amps would fit too), and reverb for guitar.

View attachment 34759

Wow! That looks amazing. Thank you for checking whether it's possible.
 
Here's another question:

How's the build quality on the Ampero 2 Stomps? I saw an earlier post where the third switch was no longer working on a poster's unit. Is that common?
I practice every week and play live regularly so I need something well built and reliable.
Anyone have any long term experience of using this thing live?
 
Here's another question:

How's the build quality on the Ampero 2 Stomps? I saw an earlier post where the third switch was no longer working on a poster's unit. Is that common?
I practice every week and play live regularly so I need something well built and reliable.
Anyone have any long term experience of using this thing live?
Only Hotone (and maybe guitar stores) know the failure rates of these things.

Mine has had a lot of use from its previous owner who used it with guitar, bass and keyboards (without ever upgrading the firmware... :facepalm ) and apart from some scuffs on the edges it works like brand new. The chassis is all metal and footswitches seem very robust to me.

A footswitch failing out of the box or soon after doesn't seem like a common issue.
 
Here's another question:

How's the build quality on the Ampero 2 Stomps? I saw an earlier post where the third switch was no longer working on a poster's unit. Is that common?
I practice every week and play live regularly so I need something well built and reliable.
Anyone have any long term experience of using this thing live?
Mine is second hand, looks mint and pretty much sits on my desk (which I control with the editor). I'd absolutely wager being able to throw this thing at a brick wall and the wall coming off worse to be honest. Very tank like. Although QA problems can arise in the factory, I think Hotone do a good job of repairing anything that does break? I'm a fan.
 
I've owned two, had one in the past that I gigged a bunch, sold, then missed so I bought it again.

Not once did it miss a beat. Not once has it ever frozen or glitched or had any sort of hardware failure.
 
Ampero 2 Stomp got a nice Christmas present: Fw update 2.1.0!

It brings the feature set on par with the Stage and adds the Tone Catch block. Includes latency and resource usage optimization for Cab and IR blocks, which is nice. No vocal effects or extra scenes though, but you can now name the scenes.

Unfortunately it only adds the ability to load captures, not create them. I guess this is due to the lack of a mic preamp. I hope Hotone adds a solution to make captures, even if it means connecting a separate mic preamp or audio interface.

So for now you can download captures from Hotone's community website, then install the .tone files via the Ampero II software editor. There isn't a whole lot of them available, and many have a cab baked in.

There's only 10 slots where you can install captures. Not a lot, but enough once you find some favorites. I only had time to try a JVM 410 OD1 Orange capture from Hotone through my Amp1 and 4x10 cab, but it sounded good to me!

PS. Remember to backup before update! All the settings and presets got nuked, and of course I didn't remember to backup my presets. This isn't too bad, I'll just rebuild now that I know what I want.
 
Captures even from Hotone are all over the place. I tried a JCM800 and it was very noisy. A Lonestar Special seemed a bit low volume and much higher gain than the Superstar Drive amp model. The amp model in turn seems a bit low gain compared to what I remember of the real LSC. The JVM captures seem good.

Found a very nice Myasnikov preamp capture based on a Fryette Deliverance.

I really wish you could create captures on this so I could try it out properly.
 
Ampero 2 Stomp got a nice Christmas present: Fw update 2.1.0!

It brings the feature set on par with the Stage and adds the Tone Catch block. Includes latency and resource usage optimization for Cab and IR blocks, which is nice. No vocal effects or extra scenes though, but you can now name the scenes.

Unfortunately it only adds the ability to load captures, not create them. I guess this is due to the lack of a mic preamp. I hope Hotone adds a solution to make captures, even if it means connecting a separate mic preamp or audio interface.

So for now you can download captures from Hotone's community website, then install the .tone files via the Ampero II software editor. There isn't a whole lot of them available, and many have a cab baked in.

There's only 10 slots where you can install captures. Not a lot, but enough once you find some favorites. I only had time to try a JVM 410 OD1 Orange capture from Hotone through my Amp1 and 4x10 cab, but it sounded good to me!

PS. Remember to backup before update! All the settings and presets got nuked, and of course I didn't remember to backup my presets. This isn't too bad, I'll just rebuild now that I know what I want.
Congrats! I am eager to give the capture process a whirl.
 
The captures are very demanding, so also very limiting what else you can put in a preset. No reverb and mono delays helps a lot to let you build a normal, but limited preset.

Personally I'll probably keep using the amp models instead.
 
I bought one of these pedals to use as an effects processor only (no modeling). I like it a lot in that capacity. Very transparent and the effects sound great through the loop of my IR-D and my amps.
 
I think it’s a pretty cool thing to do and release Christmas Day obviously they had it queued up but nice timing

It will be more enjoyable as they expand the community but so far having Freeman
Leon Todd, Michael Nielson
Probably guitar Jon seems like a nice start

I am sure they will find a way to optimize the DSP to allow more effects in a path
It does look like they are similar in power to the Nano cortex with a much better noise floor , better editor and slightly more processing power at present
 
I'm visiting my parents for the holidays and have my 4x10 cab in their basement where I can crank the shit out of my gear, so tons of fun to be had.

Guitar -> Boss WL-20L wireless -> Hotone A2 Stomp in 4CM with BluGuitar Amp 1 -> Bluetone 4x10 Greenback cab.

Despite all this, I had zero issues with latency. I didn't try this on the previous fw since I had to charge the Boss first, so I can't say if the latency improvements of the latest firmware are really helping here.

I also keep dialing in the same thing. Made a Mesa Mark IV high gain preset...dialed it to my liking with graphic EQ and all...then I found out it sounds pretty identical to my Amp 1 Modern channel at particular EQ settings.
 
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