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This reminds me of the early-mid 90’s when people started throwing BBE Sonic Maximizers in their rigs, “I didn’t know I needed it until I had it! This makes my rig come alive!”
This reminds me of the early-mid 90’s when people started throwing BBE Sonic Maximizers in their rigs, “I didn’t know I needed it until I had it! This makes my rig come alive!”
Which version did you find on reverb?I am all but sold on this device. I found some on Reverb that are $50 cheaper than what Sweetwater is selling it for. I am going out of town for a few days. I may order one of these when I get back.
Version 3. It is the same one that is on the Sweetwater site. They are listed as new. I know one of them was listed by Zzounds.Which version did you find on reverb?
Is it the newest version?
Guilty.This reminds me of the early-mid 90’s when people started throwing BBE Sonic Maximizers in their rigs, “I didn’t know I needed it until I had it! This makes my rig come alive!”
Just a heads up some of those may be software only, not the new hardware unit.I am all but sold on this device. I found some on Reverb that are $50 cheaper than what Sweetwater is selling it for. I am going out of town for a few days. I may order one of these when I get back.
Guilty.
Bout 10 years on, I turned it off, and was like, "Wow! This makes my rig sound SO much better!"
Which he used to compensate for what the BBE did!I mean, it DOES make everything sound “better” as we traditionally understand things to be “better”, but once you understand what’s going on and what we’re actually going for with guitar tones, ya realize it took you in the opposite direction!
And they DID work in some rigs, to be fair. There was a dude in my hometown who had one, I can’t remember for the life of me what the rest of his rig was aside from a 31-band EQ,
My buddy who turned me onto it, said, "It's like taking a blanket off your speakers." Ok. But it took me a long time to really figure out why I'd get lost in the mix.it was some kind of single rack solid state pre-amp for the amp, maybe a Peavey Transtube thing? But that dude had a pretty rippin’ tone and it was particularly tight for being a 7 string-based band at that time (99)
That is a good point. Thanks for bringing that up. I see the one from zZounds looks to be just the plugin with the microphone. I definitely want the hardware unit.Just a heads up some of those may be software only, not the new hardware unit.
Room correction is meant for a static position... When he gets up on stage for his 8 minute set changeover is he running around with a reference mic quickly getting 50 captures of the surroundings to make sure its all dialled in.
I mean I guess if the F R F R speakers were in a fixed position at home then running correction could help knock out some bad reflections... Just seems like a big brain solution that would need constant recalibrating if you ever moved the F R F R setup... as @texhex says, just turn it up and tweak the EQ for 30 seconds
I had those too back then
You can buy a reference mic for pretty cheap and DIY the process through REW to build a corrective profile (there’s YouTube vids on how to do it). Sonar is a much slicker approach but if you just want to dip your toes it’s a good way to give it a try. People do hifi calibrations through REW and this process so it’s widely used by people for this stuff.Ive been so tempted to give Sonarworks a go for mixing in my untreated music room. Something about spending the $300 to do a twenty minute room scan once, which may or may not end up helping me get better end results, feels like a dice roll. Then again I’ve wasted far more than $300 before in the gear game.
I was joking about live usage but still seems like a weird thing to do for a "FRFR" setup. Maybe it’s just me but if I was dialling in a tone for a "FRFR" setup you just listen to how it’s all sounding and tweak to taste, take the rig into account. Chucking room correction on there seems like another piece in the pipeline to balance/offset with your tone dialing. If you’re tweaking by ear you’d probably reach similar results with or without the calibration so why have it in there as another factor to consider… Also the room correction will do some pretty heavy eq moves so your patches would sound wildly different room to room with correction. I’d bet without correction your tones would probably translate rook to room better.Is anyone seriously considering this for anything other than home studio monitors? Obviously it won’t work for live use.
DSP correction is not analogous to the old exciter stuff…it’s not a replacement for good hardware, room treatment, placement. But it’s still quite valuable.