Been saying it for a while, NDSP creating a plugin based on a Fractal model would just beBut Devin has been using Fractal for years.
Been saying it for a while, NDSP creating a plugin based on a Fractal model would just be
Neural DSP is like the company version of the Facebook group: “Single Moms Overestimate their Market Value”. Where they ask for piles of money but really aren’t bringing anything to the table aside from promises
Okay I had to request to join to see what’s up.
I mean..... They did essentially redefine guitar amp sim plugins for the most part, and also opened up a whole area of the market (selling 1-4 amp models with big UI's, pre-routed FX, cabinet IR section with moveable mics etc):Where they ask for piles of money but really aren’t bringing anything to the table aside from promises
There's very much a tendency to "pile on" to NDSP these days.I get the animosity towards them, but I think its better to focus those remarks to the things they are actually doing badly, because there's definitely a lot they get spot on.
I agree - slow Apple Silicone support aside, the plugins are very reliable, priced well and deliver what they advertise. If they didn’t have a good reputation off the plugins, the QC really wouldn’t have got off the ground (some might argue it didn’t anyway).Yes, it is the same company, but I don't see the point of bringing up all the issues surrounding the QC every time a new plug-in is released.
Regarding your screenshots and "big UI" note, I think Audio assault actually came out first with that UI approach.I mean..... They did essentially redefine guitar amp sim plugins for the most part, and also opened up a whole area of the market (selling 1-4 amp models with big UI's
even if they were doing it similarly, I don’t think anyone would argue that Audio Assault are really having much influence on the rest of the market. As much as I’d love to buy everyone’s amp sims for $5Regarding your screenshots and "big UI" note, I think Audio assault actually came out first with that UI approach.
Although I'm not certain, to lazy to go Google diving for dates.
I mean..... They did essentially redefine guitar amp sim plugins for the most part, and also opened up a whole area of the market (selling 1-4 amp models with big UI's, pre-routed FX, cabinet IR section with moveable mics etc).
Agreed.There's very much a tendency to "pile on" to NDSP these days.
As an ex-QC owner and current owner of several NDSP plug-ins, I do feel that we should treat the QC and the plug-ins separately because it does seem to me that the vast majority of the antipathy towards NDSP relates to the QC (including the data breach) rather than the plug-ins.
Yes, it is the same company, but I don't see the point of bringing up all the issues surrounding the QC every time a new plug-in is released.
Not sure I’d say Amplitube fits the same UI approach - there’s WAY more clicking around, and options with different amps/models/pedals/FX/routing etc. It’s more of an “all in one” than a suite of plugins.There have been a number of products doing this before NDSP (Amplitube and Audio Assault come to mind). What they got right were really good sounding models, great cab selections and immediately usable presets wrapped in a straightforward UI - and a pricepoint to match. As a result, and by all accounts, they're making a killing selling plugins.
There's no denying they make good sounding stuff, but their plugin lineup is starting to become too fractured across multiple products, with overlapping features, IMHO.
The main criticism I can give the NDSP plugins is that there is no "suite" option that would let you bundle all your plugins together to use as one. Sure, you can load them in a DAW or VST host but that's definitely not the same as "one thing to control them" type deal like you have in e.g Amplitube 5 or how something like Helix Native works as one software.
Totally agree with this.Agreed.
The main criticism I can give the NDSP plugins is that there is no "suite" option that would let you bundle all your plugins together to use as one. Sure, you can load them in a DAW or VST host but that's definitely not the same as "one thing to control them" type deal like you have in e.g Amplitube 5 or how something like Helix Native works as one software.
As a business model it's smart. It ties into the "collector" mentality a lot of digital modeler users have. I mean just look at all the cries for this and that amp model on any modeler's forums. So selling those as separate things, tied to some popular artists, with great presets out of the box is a good business model compared to what other makers do where they might have a plugin of a particular amp but without the tie-ins to artists or the presets to deliver a "launch it and get a great tone" experience.
I feel that a lot of guitarists are not interested in learning the ins and outs of their gear so they chase preset solutions. Things like preset packs for modelers seem to sell and of course forums are full of "how do I get tone of my favorite artist" requests.
That's like the total opposite for me, I build all my presets from scratch to my liking, have played tons of amps over the years so I know how to work them and have learned a ton about the tech side of guitar...should have probably spent more of that on theory but that's no fun! In any case that knowledge translates to being able to easily work with say Fractal or Line6 while others might find them overwhelming and difficult.
But that still doesn't mean that I love endless tweaking, it's great when you can get a tone you like with ease and focus on the playing. I think NeuralDSP does that very well with all their plugins. It has usually taken only few clicks to find a preset that is almost to my liking and tweak it a little. That has big value. The modeling, cabs, effects etc are otherwise not in any way better than what others are making.
I agree. I could take the Soldano or Petrucci plugin and do probably 95% of what I'd ever need.There's no denying they make good sounding stuff, but their plugin lineup is starting to become too fractured across multiple products, with overlapping features, IMHO.
I think ultimately much of their success lies in the simplicity of using their plugins - amplitube is so clunky and slow to use. Softube Amp Room too just isn’t as fast to get things going with.
I mean..... They did essentially redefine guitar amp sim plugins for the most part, and also opened up a whole area of the market (selling 1-4 amp models with big UI's, pre-routed FX, cabinet IR section with moveable mics etc):