Nope, sounds transparent with a cable in it ( in my system).
Aha, weird.
Both aspects (high end, dynamics) can be easily more scientifically tested though.
Nope, sounds transparent with a cable in it ( in my system).
It’s what it sounds and feels like to me is what matters. I’ve never played through a DAC that I couldn’t tell the difference between it being there and not.Aha, weird.
Both aspects (high end, dynamics) can be easily more scientifically tested though.
It's the DAC that I am concerned about. Buffers can sometimes help DACs never do.The null test will probably fail because no device with a buffer (analog bypass has a buffer) will be exactly 100% identical to the completely bypassed not-buffered signal.
2290 yes H9000 no. The 2290 has a really good sounding dry pass.Would the TC 2290 or Eventide H9000 rack units pass your test?
It’s the DAC on the dry signal. Some FX can’t avoid this but most can. H 90 is way worse , sent that back faster than you can say garbage.You could try putting another pedal in front of the VP4 to use its buffer and you might get a closer result. Use that pedal in both chains.
2290 yes H9000 no. The 2290 has a really good sounding dry pass.
Bricasti M7 sounds better than my Axe 3 to me . Axe is by far the best guitar specific processor though and it’s incredibly versatile.Like everyone else who has upgraded their gear over the past several decades, I have heard improvements every time I've upgraded conversion.
I have purchased two audio gear over past couple years. A couple years ago I got a Zoom G11 with 123db dynamic range which sounded better DA than my old original RME ufx 118db. It was an eye opener that a mid grade consumer device from Zoom would sound better than a ten year old high end interface. The zoom sounds especially good with headphones and is the first modeler that I could stand to play with headphoens.
This prompted me to upgrade to a Presonus HD8 124db dynamic range which also sounds fantastic (with better preamps as well), giving it the edge to the zoom, but mostly in usabilty and features. Just five years ago this would have been reference level conversion for pro studios, now its run of the mill prosumer gear.
Unknown what conversion the VP4 is using, but if they aren't using the latest gen (because reusing old design or supply chain or something) it would sound worse than good consumer conversion you get in zoom processors, phones, televisions, etc. I know there is much more to audio design than converter specs, but converter specs usually align with what I hear in terms of clarity and punch.
Anything prosumer made more than 2-3 years ago is probably sounding pretty shitty right now in terms of adda quality. The fractal reverbs are the best and most expensive outboard guitar reverbs, whever there is a reverb going, the fractal has the edge in room ambiance, but alot still depends on conversion quality.
Against what exactly?I don't know the converter specs of the Axe3, but I suspect in 2024 it is fighting an uphill battle.
Zoom G11, obviAgainst what exactly?
Against anything prosumer released in the past couple years. Even the toneX has 123db dynamic range. Even the $100 Zoom MS-70CDR+ pedal has 122db. Just over the past few years there was a big jump in quality.
Your missing the point by several degrees of magnitude.Against anything prosumer released in the past couple years. Even the toneX has 123db dynamic range. Even the $100 Zoom MS-70CDR+ pedal has 122db. Just over the past few years there was a big jump in quality.
I have. DAC in the dry on a delay or reverb is undesirable however good. You can feel and hear it.Yes and no. I acknowledge that conversion is one piece of the picture, but its a big piece. Things have changed, open your ears.
I remember that; who was that?Blink twice if you have had a Helix preset named after you in a former forum life
@PLX says there's just a few of us out on the forums. I just forgot to pick new usernames at my handful of spots I did mix it up on the avatar selectionI remember that; who was that?