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Those are bargains too for their price point.Compared to HX Stomp or Helix LT? Not quite as much.
Those are bargains too for their price point.Compared to HX Stomp or Helix LT? Not quite as much.
I will be getting one for sure. But then, I knew that back in August!
<ducks>
Neural still not able to deliver to a 'soon' deadline thenSo we now know soon is soon and few weeks is 9 weeks.
9Neural still not able to deliver to a 'soon' deadline then
I have a GREAT idea for this! What do you guys think?
Level 2... Unlock 1 more block -> $129
Level 3... Unlock 4 more blocks -> $169 (requires Level 2)
Hmmm.. on second thought. NO.
We considered analog dry-through early in the design phase but it just causes more problems than it's worth. If it were a dedicated delay or reverb device then it would make sense but once you add drives and wahs and EQs it makes things too confusing for the average user.I am interested to see what this will do to the high end pedal market.
Looking at TOP, there are some lamenting the lack of analog dry-through, just like there were for the Eventide H90. But I think those are the minority.
I could see the VP4 eating the sales of the big Strymon, Meris, Eventide and Chase Bliss pedals. Chase Bliss probably lives in bleep-bloop-land enough to stay relevant on the market, but Strymon is more meat and potatoes. Even as a big Strymon fan, I don't see who would buy a Timeline MX over the VP4.
I believe that there is quite a bit of processing capability that you lose if you go ADT. Like auto-swell type stuff, and preamp processing of your dry signal. I guess you could make it switchable, but would complicate the circuit topology is my guess? I dunno. Not an expert in that area.Looking at TOP, there are some lamenting the lack of analog dry-through, just like there were for the Eventide H90. But I think those are the minority.
Chase Bliss will be fine. They have a hardcore following and as you say, the bleepers and bloopers will keep them going!I could see the VP4 eating the sales of the big Strymon, Meris, Eventide and Chase Bliss pedals. Chase Bliss probably lives in bleep-bloop-land enough to stay relevant on the market, but Strymon is more meat and potatoes. Even as a big Strymon fan, I don't see who would buy a Timeline MX over the VP4.
Other than having to toggle it in and out with some "if user has these blocks, no analog dry-through for you" logic, what sort of problems would analog dry-through cause in a design like this?We considered analog dry-through early in the design phase but it just causes more problems than it's worth. If it were a dedicated delay or reverb device then it would make sense but once you add drives and wahs and EQs it makes things too confusing for the average user.