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f**k! I just wrote Rocket Man!
Seriously..., I'm noodling around with a crunchy riff, then I turned the volume down, switched to the neck, played an open Gm, figured a C would sound good next..., back and forth for a bit. Then I'm like..., I think the next root note needs to be higher, so I walk it up to an Eb...., next thing ya know, it sounds a bit too familiar!
"Mars ain't the kinda place..."
I hate it when this happens!
I was listening to a song from the 50's, and I thought, Wow, that's the same progression as the verse in Crocodile Rock. Little did I know how oft-used the I-vi-IV-V progression was.Dude, one night about 10 years ago I'm sitting in my living room playing my JEM unplugged, come along this progression I dig right away, I can hear the drums in my head, a vocal line coming through, grab my phone and make a video of it, text my bass player and guitarist to tell them I just wrote a sick ass section that's going to be killer in a song we were writing, start recording it in Garageband and I realize it's the f*cking "And as we wind on down the road" section of "Stairway To Heaven".
I wasn't wrong, it was a sick ass section, I just didn't write it.
This has happened to me every time I’ve tried to write a song - it always comes out a rip off of something I’ve heard before. LOL. It’ll be interesting to see if I can actually think of something new for one of these challenges, lol.
So many "common" chord progressions have been used over and over again. Nothing wrong in doing so. The trick is to make it sound fresh.This has happened to me every time I’ve tried to write a song - it always comes out a rip off of something I’ve heard before. LOL. It’ll be interesting to see if I can actually think of something new for one of these challenges, lol.
Great song, by the way!Or riffing over the Em-C. Oh yeah, that's Pigs (three different ones.)
I got in a very heated debate with the lead singer in one of my early bands when she claimed "Everything had been done before." Talk about a, "You're-not-gonna-change-my-mind-and-I'm-not-gonna-change-yours" type argument!
I really couldn't believe it. She said the Beatles did everything, and the classical composers of way-back-when took care of everything else. My stance was/is that the combinations are quite literally, endless. And that's even before you start thinking about mixing genres.You were right.
That's like saying. "Every food has been cooked before, so let's never eat again." Or, "People have already done that whole sex
thing since the dawn of time, so why bother?"
Why bother indeed!
Following…At this point I’m not even focused on writing anything worth a damn, ive got a base track laid down that sounds like something from Donnie & The Daryl’s Camp Spectacular.
Current WTF DAW issue:
Also how do you guys go about putting down a bass track with a guitar, and it not sounding like raw anus?
- How for the love of Christ can you shorten a take, or overlap a copy of one to it, without it snapping to the grid? It’s snapping either with a small gap between the takes or overlapping too soon on the previous take.
Reduce grid level to sample and won't snap to a beat marker. Tip, when recording overlapping takes, use 2 or more tracks for each successive take. Send those track outputs to a common mix bus for additional EQ and other processing.At this point I’m not even focused on writing anything worth a damn, ive got a base track laid down that sounds like something from Donnie & The Daryl’s Camp Spectacular.
Current WTF DAW issue:
Also how do you guys go about putting down a bass track with a guitar, and it not sounding like raw anus?
- How for the love of Christ can you shorten a take, or overlap a copy of one to it, without it snapping to the grid? It’s snapping either with a small gap between the takes or overlapping too soon on the previous take.
Reduce grid level to sample and won't snap to a beat marker. Tip, when recording overlapping takes, use 2 or more tracks for each successive take. Send those track outputs to a common mix bus for additional EQ and other processing.