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There's a documentary out there about how the highest selling VH songs use a formula.. consisting of a main verse and body of the song written to where the chord changes will only correspond with the white keys on a keyboard.. then, the chorus will use a progression that could only be played on the black keys.Not sure which thing you mean? But it's funny you mentioned VH, I was going to incorporate that kind of tap run he used to do. For example, frets 5, 9 left hand and then tapping 12th fret -- running from high E string all the way to low E. It's a cool thing because it changes key on the G and D strings while still being an efficient and easier technique with the hands. And it sounds cool! But I committed to the octave fuzz sound which doesn't lend itself so well with tapping imo.