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He won't even mind me saying this, because he was saying it himself. Had this jam with the new guys last night. I took my recto and Egnater 4x12. He had a Powerstage 170 and a Helix LT. He was using a Marshall 1960 Lead.
Now tbh, the core modelling tones were good. But there was definitely something missing. 100000% there was. He was even a touch louder than me, but my tone was rounder, fatter, and fuller. When I did a palm mute, you felt it. When he did a palm mute, it was like listening to Papa Roach on a 1980's Walkman.
Right now I'm sooooooo disinterested in "FRFR", solid state poweramps, and tbh even amp modelling in general. I don't know what it is like for you lot, but for me, I spend so much time second guessing myself when I'm in that "modern" world of guitar, that I barely get anything done. But when I'm stinky and vintage about things, I get tons of stuff done.
My back still works. I'll hulk a 4x12 up some bloody stairs if I have to. Give me smoke, fumes, valves, fire, and rosy cheeked Scottish birds who can drink me under the table.
Now tbh, the core modelling tones were good. But there was definitely something missing. 100000% there was. He was even a touch louder than me, but my tone was rounder, fatter, and fuller. When I did a palm mute, you felt it. When he did a palm mute, it was like listening to Papa Roach on a 1980's Walkman.
Right now I'm sooooooo disinterested in "FRFR", solid state poweramps, and tbh even amp modelling in general. I don't know what it is like for you lot, but for me, I spend so much time second guessing myself when I'm in that "modern" world of guitar, that I barely get anything done. But when I'm stinky and vintage about things, I get tons of stuff done.
My back still works. I'll hulk a 4x12 up some bloody stairs if I have to. Give me smoke, fumes, valves, fire, and rosy cheeked Scottish birds who can drink me under the table.