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Yeah it kinda sounds like you don’t want a modeler? Maybe look at a synergy system?
That’s what I thought too
Then you can have a Freidman , SLO , DZL and it’s controllable at low levels

Dave F also just mentioned he has a new ,most full featured 20 watt coming out at NAMM so I am thinking Soldano Astro type
amp
 
1. This talk about conversion quality is ridiculous and has to stop.
1000000 trillion percent. This is TRIVIALLY easy to test, and if there is an issue, the claimant can show it with a few minutes of work. The fact that they NEVER do, just like the Mic Preamp Troo Beliebers, shows just how bankrupt not only their claim is, but also their faith in the claim
 
[…] Just because most people can't prove it with sophisticated measurement, does not mean it isn't true. […]
Daniel Radcliffe Bullshit GIF by Oregon Trail
 
I use an FM9 with my band, and have an AxeFX 3 that largely stays in my cave. I have no problem navigating them from the front panel. But if it’s a deal breaker for you, that’s cool.

Sometimes I feel like being able to use the front panel of a Fractal product would score more brownie points than playing “Cliffs Of Dover” note for note. Maybe I need to start posting FM9 editing videos instead of guitar playing ones.
 
but I am certain you can hear the difference between different headphone outputs. Much of that is due to the quality of conversion.

No. From all I know, the kind of converters we're talking about are pretty cheap today, no need to degrade the quality here. It's likelier that the op-amps are the culprit here.
 
Many people throughout the ages have complained that the loop of their amp, or the loop of their MFX alters the sound.

Conversion quality is one of the factors that can be at play, although it may be less important the better conversion gets. But absolutely a decade ago it was a factor, and two decades ago it was an undeniable factor.

Discriminating ears can hear the difference between them. You can argue that for a guitar signal chain it doesn't matter, but in a MFX, it is absolutely 100% important when listening to headphone outputs for silent practice. There is still a noticeable difference in quality between headphone amps. Conversion is one of the factors involved and having an absolutely silent noise floor is needed for the illusion that you are not wearing headphones.

I am not set up to measure the audio quality of my headphone output, but I can tell the difference in quality between different units. Just because most people can't prove it with sophisticated measurement, does not mean it isn't true.

Someone complained about the quality of the VP4 in his signal chain. I suggested someone run ten generations of loopback through it to see what it does, vs same loopback through a patch cable. I agree in testing and measurement, just don't have the ability to do it.
Lots of words and yet no measurements.

I've got plenty, and so does anyone who has actually tested these claims rather than just talk about them

 
Many people throughout the ages have complained that the loop of their amp, or the loop of their MFX alters the sound.

Conversion quality is one of the factors that can be at play, although it may be less important the better conversion gets. But absolutely a decade ago it was a factor, and two decades ago it was an undeniable factor.

Discriminating ears can hear the difference between them. You can argue that for a guitar signal chain it doesn't matter, but in a MFX, it is absolutely 100% important when listening to headphone outputs for silent practice. There is still a noticeable difference in quality between headphone amps. Conversion is one of the factors involved and having an absolutely silent noise floor is needed for the illusion that you are not wearing headphones.

I am not set up to measure the audio quality of my headphone output, but I can tell the difference in quality between different units. Just because most people can't prove it with sophisticated measurement, does not mean it isn't true.

Someone complained about the quality of the VP4 in his signal chain. I suggested someone run ten generations of loopback through it to see what it does, vs same loopback through a patch cable. I agree in testing and measurement, just don't have the ability to do it.
Conversion quality is the least of your concerns when different amps have different fx loop circuits with different send/return levels etc. You are going to find way more variation there than with converters.

My experience is that I don't have any issue with Helix or Fractal in this regard as long as the levels are set right on all devices. I have had amps where you can bypass the loop so it would be easy to hear audible differences. It always came down to levels, like just a few dB less through the loop and you start to think you have "tone suck".
 
Again, more time was spent posting words than would have taken to prove your claim. Kind of tells its own story.

I'll help you. Here's some free measurement software that will help provide evidence either way. Should take you all of a few minutes to install and run some tests

 
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