Sascha Franck
Rock Star
- Messages
- 5,482
Our current reality is dystopian.
Defenitely. AIs are taking over all the fun parts but very little of the annoying stuff.
Our current reality is dystopian.
Don't all modelers have factory presets with those same tones?
its worth watching , if you are just looking at it for what it is , a good practice toolGod... Was planning to watch the clip based on the enthusiastic OP by Ben... But hell, you all differ vastly to his opinion. So vastly that I'm going to stick to my general opinion on PG and not watch the clip at all.
I don't know. I like practising with gear I like. I never bonded with that "I'm going to buy gear for practising... Not necessarily as good as my go-to rig, but hey... It's for practising!".its worth watching , if you are just looking at it for what it is , a good practice tool
My harping was more about calling a preset "Hendrix Watch Tower" and it not sounding anything close to the tones lol. For one, the main rhythm guitar on the actual song is an acoustic (played by Dave Mason, btw) and the lead by Jimi is cleaner and warmer, and totally different breakup characteristics than the demo vid.F$ck me ..... tough crowd around here
Ben
I would hazard to guess that 90% of album releasing and touring acts are not tone obsessed and going down the rabbit hole about what pickups are in this Les PaulI dunno about authentic but the tones definitely seemed usable. I suspect they'd work just fine when practicing at home. I suspect they'd also work fine in a cover-band bar/wedding gig situation. No one there's nitpicking tones. If it's close enough and has the vibe they DGAF.
Whether or not the guitarist is happy enough is another question. I know a few really good players who would be just fine with those. You know, the types of dudes who spend a lot of time playing and zero time researching tones on the internet. Heathens lol
I would guess for many or most of them, they (or their producers) are pretty tone-obsessed on recordings but much less so live.I would hazard to guess that 90% of album releasing and touring acts are not tone obsessed and going down the rabbit hole about what pickups are in this Les Paul
Or tube swapping or trying to find the right IR
We (gear forum users) live in a bubble.I would hazard to guess that 90% of album releasing and touring acts are not tone obsessed and going down the rabbit hole about what pickups are in this Les Paul
Or tube swapping or trying to find the right IR
Buy what inspires you and helps you make musicI agree in all that things you are saying in the last posts. Too much noodling around tone can be a waste of time for live use.
However, for me that's not an excuse for choosing worse sounding gear over better sounding gear.
If that was to be the case, I don't understand why every pro player doesn't gig with sh--y amps/pedals.
I mean... If one can buy pretty good sounding gear (even for cheap), why would you accept buying worse gear?
My point is that the "Satriani makes sound good a wood stick, so there's no point on buying anything else than a wood stick" argument is just fallacy.
I agree, again.Buy what inspires you and helps you make music
If that a looping riff through a spark great
that’s really the most important thing ,,,,make music