Bruce
Shredder
- Messages
- 1,938
I too am somewhat of this opinion. Also, in no way, shape or form to be malicious. Just to offer help, if help is wanted. This video may serve to get you more bar gigs. If that is what is desired, mission accomplished. If you want “next level” type stuff, it just isnt competitive for a multitude of reasons, most of which are posted in the quoted message. So really, you have to define the goal before making a decision if anything needs to be done about it. A professional video costs money, and not just a few hundred bucks. I recently did one and it went absolutely nowhere, so be prepared to lose. I did another one and it resulted in some pretty good gigs, but that was a different band altogether.I don't know what your goal is with the video but IMHO it doesn't show a professional band. If you are looking to get better gigs, I think you will want to make this more purposeful. I used to put promo packets together for one of my bands for county and state fairs where the competition is higher. You have to be on your game for those gigs. Here are some things I noticed that would turn a booking agent off.
These are not meant to be malicious. I am just stating them directly.
As mentioned, dump the music stands. That says you don't know your music. Be very careful with replacing them with tablets. This will have the same effect if everyone has one in front of them. People spend too much time looking at the stand or tablet instead of engaging the audience.
Dress better if you are going to use it as a representation. Some of the folks looked a bit too relaxed in what they were wearing.
Make your photographs more professional. It doesn't take much effort to take a more professional picture of people with their instrument. As mentioned, don't overlay these on band footage. Highlight them with audio behind them. Be proud of them.
As also mentioned, transitions from one audio track to another should fade from one to another. It can be short but you need a transition there to make it feel smoother.
The audio isn't too bad. The good thing with using live audio is the person watching the video knows you didn't polish this in a studio. That tells them what they will get if they hire you. It is also good to show people dancing and having fun watching you. It at least one of the videos there were a lot of people just standing there watching. You may need to ask people to look more excited and plan out the footage a little bit or be more selective of what you using.
Again, none of this is meant to be malicious. I hope you don't take it that way. I am just plainly stating things I see that I know would not be helpful for getting gigs in the arena I used to do this in.
now to be clear, there is NOTHING wrong with staying a bar band. I have often questioned the wisdom of taking “better” gigs that require either ticket sales, long drives or learning dozens of songs for when i can make just as much after expenses with my band in my town or the town over. Spent too many nights driving home from AC, cat napping on the side of the road and the NJSP thinking I’m liquored up. For an extra hundred? Not always worth it. Sometimes it is.
Saw a video recently without going too far off topic but this is great wisdom to share. The credentials for taking a gig must meet 2 out of 3 parameters or dont take it.
Good pay
Good music
Good hang.
If the gig isnt 2 of those things, dont do it.
But anyway, whatever your goals are, best of luck to you. No offense intended whatsoever.