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I saw a Buc-ees for the first time last fall when we went to Texas. WT actual F!!!
No. We didn't stop.![]()
I saw a Buc-ees for the first time last fall when we went to Texas. WT actual F!!!
No. We didn't stop.![]()
I think if you tried it on this you would only notice it by virtue of it actually working.Flatter Radii for Flat Earthers!!
I love me a flatter radius for modern approaches to guitar..... but I also think letting vintage
appropriate specs be vintage appropriate specs is cool. It also doesn't hurt one's technique
to become fluent on a variety of different guitars with different specs.
When you get up to 16" it just feels like a plankety piece of plywood to my fingers.![]()
Flatter Radii for Flat Earthers!!
I love me a flatter radius for modern approaches to guitar..... but I also think letting vintage
appropriate specs be vintage appropriate specs is cool. It also doesn't hurt one's technique
to become fluent on a variety of different guitars with different specs.
When you get up to 16" it just feels like a plankety piece of plywood to my fingers.![]()
I fall in the camp of loving relic finishes. Lord knows I can't afford the real thing, so I buy what I can, and if it looks the part, awesome. If it looks absurdly overdone, that's cool too; I'm not trying to trick anyone that its the real deal. The best part of the relic finish is I don't need a guitar stand at shows, I don't lament getting a new ding when I dance into a mic stand, and they just feel more like home in my hands. A few of mine...
Over the top:
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Iconic 52
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Pittman Strat
Bit more subtle:
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Aged Sherwood MJT
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Pittman Blackguard
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FCS 52
Subtle:
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Pittman P bass in thin nitro (checking multiplying over time)
This is how a guitar looks after 35 years that was painted in plasticised modern 2k and will stay basically unchanged. Lacquer isn’t the same. Look at the sunburst Strat on the Layla album it’s less than 15 years old. The huge advantage of old finishes was how thin and how hard they were. Both those attributes are hugely valuable in a musical instrument. Thick durable material is only good on a table.This is what my 1991 Strat looks like after having been played and gigged for 35 years.
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When the Fender Custom Shop first started making relics back in the '90s I went into Sam Ash on 48th Street and played one. It was an absolutely wonderful guitar guitar and I could definitely see why someone would want it.
Two sides of the same coin I guess but for me personally, I prefer guitars that look like they were well cared for.