Relic work?

I saw a Buc-ees for the first time last fall when we went to Texas. WT actual F!!!

No. We didn't stop. ¯\_(ツ)_/¯
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Flatter Radii for Flat Earthers!!
:LOL:


I love me a flatter radius for modern approaches to guitar..... but I also think letting vintage
appropriate specs be vintage appropriate specs is cool. It also doesn't hurt one's technique
to become fluent on a variety of different guitars with different specs.

When you get up to 16" it just feels like a plankety piece of plywood to my fingers. :idk
I think if you tried it on this you would only notice it by virtue of it actually working.🤣
 
Flatter Radii for Flat Earthers!!
:LOL:


I love me a flatter radius for modern approaches to guitar..... but I also think letting vintage
appropriate specs be vintage appropriate specs is cool. It also doesn't hurt one's technique
to become fluent on a variety of different guitars with different specs.

When you get up to 16" it just feels like a plankety piece of plywood to my fingers. :idk

Early explorers never travelled north of the fifth fret, it wasn't until the 1960s that the New World was discovered.
 
I fall in the camp of loving relic finishes. Lord knows I can't afford the real thing, so I buy what I can, and if it looks the part, awesome. If it looks absurdly overdone, that's cool too; I'm not trying to trick anyone that its the real deal. The best part of the relic finish is I don't need a guitar stand at shows, I don't lament getting a new ding when I dance into a mic stand, and they just feel more like home in my hands. A few of mine...

Over the top:
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Iconic 52

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Pittman Strat

Bit more subtle:
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Aged Sherwood MJT

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Pittman Blackguard

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FCS 52

Subtle:
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Pittman P bass in thin nitro (checking multiplying over time)

Those Pitts are the bees Itch!
 
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