For all amps there’s a sweet spot. While it’s true that not all amps benefit from being cranked I think most of the time that sweet spot is louder than comfortable in a regular room...Those are master volume, preamp gain based amps. They might not even sound better cranked.
The thing you are after is most likely the effect of volume on our perception and there is nothing that can do that except play at louder volume.
The amps they are looking at will just get louder until the poweramp starts distorting at some ungodly level. The change they perceive is going to be how the sound bounces in the room and how your ears and brain processes it rather than anything the amp does.For all amps there’s a sweet spot. While it’s true that not all amps benefit from being cranked I think most of the time that sweet spot is louder than comfortable in a regular room...
A sounds like a way to go. Have to buy suhr reactive load as soon as next payday comesI would either:
A. Slave the main amp using a resistive load line out into a power amp, then speaker. Use power amp to adjust overall volume
or
B. Put a reactive load on the amp, pipe the line out to DAW and use speaker iRs; use your monitors or whatever to adjust overall volume.
In both scenarios, you are essentially "bottling" the main amp tone (cranked or whatever) then passing that signal to another amp; which will now be your volume control.
However, if you have an audio interface, there's a number of killer software solutions (NeuralDSP, NAM, Nembrini, UA, Brainworx, Softube, etc).
Just scored one of these based on lots of good chatter on forums, a couple recommendations from players I really trust, and this YT shootout.
Reactive Loadbox 8Ohm - Driftwood Amps
Shipping takes 2 weeks after payment received.driftwoodamps.com
First thoughts @ 7:16
The Verdict @ 18:24
I bought one and compared to other loads here with various amps. As soon as I heard the Driftwood I knew I wouldn’t be keeping it, I find it makes amps sound way too dark (and its curve is nothing like a 4x12 cab). Felt quite nice to play though and with the right amp I think it could still make cool sounds.
I bought one and compared to other loads here with various amps. As soon as I heard the Driftwood I knew I wouldn’t be keeping it, I find it makes amps sound way too dark (and its curve is nothing like a 4x12 cab). Felt quite nice to play though and with the right amp I think it could still make cool sounds.
Oh for sure, there’s no substitute for trying it for yourself and deciding off your own experience. I had a few friends recommend the Driftwood to me and I was convinced I would love it. Was one of those situations where I instantly didn’t like it, and just did the comparison test to validate what I was hearing.Ya, I saw your review but balanced it against a lot of others I read/saw - yours seems to be the outlier.
There's enough polar opposite opinions out there that it's worth checking it out for myself.
NEVER, EVER base a gear opinion based off a single review! ESPECIALLY in the age of YouTube vids.
I think if you just want something that sounds cool, it could be right up your street
Most def.Attenuators are for babies
Most def.
I like to say attenuators are for toads.
Rib’bit..Rib’it..attenuate it, attenuate it = Rib’bit.
Master volumes are so good nowadays.
HOWEVER, if you’re opening up a Non-Master volume amp, it’s either no eyebrows moment on the way or you gotta choke it out.
The clean or cleaner signal coupled with weak back end break up is bullshit.
Word.