Line 6 Helix Stadium

Is there a Plex delay equivalent in the HX stuff? @Orvillain perhaps?

Heliosphere delay is the closest equivalent to the Plex Delay/Plex Reverb block. It's a delay/reverb hybrid. Also, Cordy dials in an incredible dreamy cloud delay here with the Dynamic Plate, a compressor and one other unexpected block on a parallel path (Relax, I cued it to get right to it so you skip his Truefire plug and intro song/speech):

 
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Heliosphere delay is the closest equivalent to the Plex Delay/Plex Reverb block. It's a delay/reverb hybrid. Also, Cordy dials in an incredible dreamy cloud delay here with the Dynamic Plate, a compressor and one other unexpected block on a parallel path (Relax, I cued it to get right to it so you skip his Truefire plug and intro song/speech):


Thanks. Too church-y for my tastes. The sound smothers the guitar. The Plex Delay does this thing I can't put into words it just does ambient right in a way that doesn't feel like I'm about to launch into some church music I would never actively choose to listen to. Ambinece for us :satan folk :rofl
IMO there is very little out there that competes with Fractal’s Plex Delay. IDK why they haven’t released it as a stand-alone pedal.
It's something special.
 
IMO there is very little out there that competes with Fractal’s Plex Delay. IDK why they haven’t released it as a stand-alone pedal.
I'm kinda surprised Fractal hasn't done this with say Modulation, Delay, Reverb, and Plex. Their drives suck, IMO, so I wouldn't be in too much of a hurry for that.
 
Thanks. Too church-y for my tastes. The sound smothers the guitar. The Plex Delay does this thing I can't put into words it just does ambient right in a way that doesn't feel like I'm about to launch into some church music I would never actively choose to listen to. Ambinece for us :satan folk :rofl

It's something special.

Totally cool. I honestly don't remember it from my FM9 days. I think I liked the "cloud" reverbs Cliff added a few years back, and mostly stuck with them for ambient.
 
Heliosphere delay is the closest equivalent to the Plex Delay/Plex Reverb block. It's a delay/reverb hybrid. Also, Cordy dials in an incredible dreamy cloud delay here with the Dynamic Plate, a compressor and one other unexpected block on a parallel path (Relax, I cued it to get right to it so you skip his Truefire plug and intro song/speech):



Wow...that sounds quite good in terms of getting those big expansive reverb sounds! Maybe I've been bashing HX reverbs needlessly.

Looks like he's really pushing that decay.
 
Wow...that sounds quite good in terms of getting those big expansive reverb sounds! Maybe I've been bashing HX reverbs needlessly.

Looks like he's really pushing that decay.

The Decay is the key to getting those Dynamic reverbs to really get ambient and bloomy.
 
The main issue with the HX verbs - even the newer ones - you can't get the bright enough before they start losing the smoothness and clarity, instead turning into metallic shimmery aliasy mush. They CAN sound good... but within a window. Not as flexible as the Fractal ones.

You'll notice the Fractal ones have the same problem when you set the quality setting to economy.
 
The main issue with the HX verbs - even the newer ones - you can't get the bright enough before they start losing the smoothness and clarity, instead turning into metallic shimmery aliasy mush. They CAN sound good... but within a window. Not as flexible as the Fractal ones.

You'll notice the Fractal ones have the same problem when you set the quality setting to economy.

I can't say I have that experience, but then again I don't see the benefit in dialing any reverb on any platform to be but so bright.

It really has nothing to do with sounding metallic or not, but rather as soon as other melodic instruments into the mix, I find that a lot of those frequencies get eaten up.
 
I can't say I have that experience, but then again I don't see the benefit in dialing any reverb on any platform to be but so bright.

It really has nothing to do with sounding metallic or not, but rather as soon as other melodic instruments into the mix, I find that a lot of those frequencies get eaten up.
If you run reverbs in front of the amp as I do, the character of the high frequencies matters a lot. If you're always looking for a clean "produced" reverb sound that sits in the effects loop, then you might not notice it. But it is definitely an attribute across the HX reverbs.

My guess is their topology isn't FDN based, or their DSP budget only allows for small FDN networks, which can still result in correlations across the various allpass filters, or delay lines in the processing chain, which is the number one cause of metallicness in a reverb. Could also be that their modulation sources are not updated on a per-sample basis, but rather a block basis, which can lead to correlation rather than de-correlation as well.

They're certainly not shit. But I just find them only usable within a narrow band.
 
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