Focus zones like a sumbuck while avoiding Hype control like the plague.
Hey, I'm open to having my mind changed, but that will be like 30th on my list of things to run through once I get my XL.
Focus zones like a sumbuck while avoiding Hype control like the plague.
Super hard to tell in that "demo" where there's talking over it with volume reduction of the clip. But yeah, subtle. I suspect more audible when you're the one actually playing it.Wow it is subtle - i could only barely tell any difference for the Twin Reverb and Super Lead in those clips. Feels like it's mostly baked-in compression and EQ?

I don't believe you. If for no other reason, it's one knob and you will turn it.Hey, I'm open to having my mind changed, but that will be like 30th on my list of things to run through once I get my XL.
It's where yuppie sumbitches get their coffee. In Alabama or somewhere.What is a sumbuck? I know what a Timbuk is, but a Sumbuck?![]()

Note how the top-end harshness of the Super Lead goes away with hype over 9.0. The real amp does that, but most people who never played a tube amp associate that fiz with "digital".
What’s cool is the hype button does slightly different things for the different amps. And to me, it sounds like the original spirit of the hype button was to move from 100% authentic which includes some potentially non-desirable characteristics of an amp (which may be things like harshness or fizziness, or excessive treble, or something) to something that may be a bit more pleasing or more what we are “accustomed” to hearing after some of those things have been dialed out or corrected post-amp.Wow it is subtle - i could only barely tell any difference for the Twin Reverb and Super Lead in those clips. Feels like it's mostly baked-in compression and EQ?
I think Hype is (perhaps more than anything else) something you won't be able to properly evaluate, or appreciate, until you're holding the guitar in your own hands and turning the knob. Just listening to online audio clips, the change in volume alone is enough to keep my ears confused.
I don't believe you. If for no other reason, it's one knob and you will turn it.![]()
Ah, so it‘s like when my mom used to say „Scheibenkleister“ instead of „Scheiße“.YOU SEE ZOLTAN; SUMBUCK IS A WORD/PHRASE YOU USE IN LIEU OF PROFANITY
Yes, and this (and simple curiosity) is why everybody, irrespective of what they type on TGP, will at least try it very early on. It may as well be called the "Mo Betta" knob.What’s cool is the hype button does slightly different things for the different amps. And to me, it sounds like the original spirit of the hype button was to move from 100% authentic which includes some potentially non-desirable characteristics of an amp (which may be things like harshness or fizziness, or excessive treble, or something) to something that may be a bit more pleasing or more what we are “accustomed” to hearing after some of those things have been dialed out or corrected post-amp.
I'm afraid to google thisAh, so it‘s like when my mom used to say „Scheibenkleister“ instead of „Scheiße“.

You're gonna turn 'em both. :)The new parameter I will be doing exactly that with is the Z PrePost that changes where the negative feedback/speaker impedance characteristics are in the amp topology, I believe.
I'm very curious about this control, would be cool if @Digital Igloo is able to disclose anything about it (otherwise it's going to be the first thing I search for in the manual).The new parameter I will be doing exactly that with is the Z PrePost that changes where the negative feedback/speaker impedance characteristics are in the amp topology, I believe.
I'm very curious about this control, would be cool if @Digital Igloo is able to disclose anything about it (otherwise it's going to be the first thing I search for in the manual).
From the parameter panel:
PrePost determines the location of speaker impedance characteristics in the power amp, primarily due to negative feedback. Higher values mean the effects of the interaction appear at the output of the power amp (Post) and lower values mean more of the effect is fed back to the input of the power amp (Pre). "Stock" represents the stock location, which changes from amp to amp.