Oh and it case it isn’t clear, I don’t disagree with you @Tito83 about wanting to see some more stuff in this box before I’m convinced to buy it. For now, they lost me at “no new reverbs”. I’m not dropping 2K on an all in one floor unit unless it has truly top shelf reverb, delay, and amp modeling. The reverb came up short for me in Helix, and Stadium won’t interest me unless that gets a lot better.
Plenty of others are gonna buy it as it comes out, and that’s totally cool too. Just not compelling enough for me to abandon FM9 right now.
D
Totally reasonable take.
I'm a happy FM9 owner too. It's an incredible piece of gear and a bargain, frankly, for all you get.
There's almost nothing I'm missing on it, soundwise. It meets almost all of my happy place needs (modded Marshall sounds galore, great reverbs and delays, plenty of horsepower, versatile footswitching, exposed parameters for performance pages, great factory presets with scenes galore). Aside from better bass presets and amp options, I'd be fine if they never added another model.
After a couple of years of ownership, however, I do still feel stuck in terms of being able to significantly edit presets on the fly with the on-unit interface - especially moving blocks. I've also come to appreciate cloud-based functionality that I've enjoyed on both Quad Cortex and Tonemaster Pro. Being tethered to the PC for management sucks. Finally, I've REALLY come to appreciate having favorites/device-level presets available to immediately call up when building patches from scratch or making said significant edits live/in the room.
Stadium XL looks to me like the "just right" form factor that combines the best of everything I've wanted over the past few years - especially once Proxy gets up and running early next year. I personally think the Line 6 "dynamic" reverbs are top shelf already, but I think they're aware that Fractal has become the measuring stick here, and they're going to keep taking cracks at it.