bucephalus
Roadie
- Messages
- 702
DSL time man.lol, that's some real top descriptive words you got there...
who does that remind me of
DSL time man.lol, that's some real top descriptive words you got there...
who does that remind me of
The thing you quoted literally says some these gigs require a no-cab/DI-only solution, lol.
I find the tone cork sniffing amusing. There are so many variables between when given player hits some set of strings on some guitar and whatever you are listening back on that the idea that you can tell anything other than yep that's a guitar tone seems ridiculous to me for some reason.
Anyhow, all of todays modelers and cloners sound amazing. If you can't get something you like out of them it seems more about user disconnect than anything actually wrong with the piece of hardware and its ability to generate a guitar tone. I'm just looking for something that provides the least friction between the guitar and the amp/cab/pa. Stadium seems a logical step forward in both simplicity and complexity. Choose how deep down the rabbit hole you want to go.
I think that means we're getting news or another big video dropped tomorrow or Friday. I definitely hope its not a release date, that would be terrible.Very much liking the latest video. Weirded me out that it’s Wednesday but other than that, all good :)
FINALLY:
DSL time man.

I think that means we're getting news or another big video dropped tomorrow or Friday. I definitely hope its not a release date, that would be terrible.
I would still like to see some intense editing session. Tones are one thing, but as a simpleton I'm fine with them anyway - editing and general usability however, that's quite something else. Ideally, I'd like to just sit down with a Stadium and fool around, possibly wouldn't even need to have a guitar connected.
Just use a real cab - 95% of your complaints would go away. With a modeler you have perfect volume control as well as your selection of amps as well as power amp saturation. You can get 1-2 lightweight cabs for variety and that's all you need. DV Mark even has 4x12s that weigh almost nothing - if you don't like the speakers, swap out for some Celestion Neos.
Otherwise, keep complaining.
But you're still happy with your UAFX amp pedals, @Tito83? Or do they in your opinion fall short as well?

I definitely get a lot of crossover between mixing education videos and dialing in guitar tones. A lot of what I learn there is the same regardless of the hardware it’s translating back to, though.You not only apparently missed the no cab part like already mentioned, you missed the post I said I've played real amps into a reactive load and IRs for quite a while before going full digital. The problem was never the lack of a guitar cabinet.
Beyond that, I was commenting on something else really. I just stated basically that I'd rather have the perspective of an engineer on a recorded guitar sound rather than a guitar player's, that's all. Something got lost in translation apparently.
You not only apparently missed the no cab part like already mentioned, you missed the post I said I've played real amps into a reactive load and IRs for quite a while before going full digital. The problem was never the lack of a guitar cabinet.
Beyond that, I was commenting on something else really. I just stated basically that I'd rather have the perspective of an engineer on a recorded guitar sound rather than a guitar player's, that's all. Something got lost in translation apparently.
FINALLY:
Have you played with the Grammatico GSG yet? I’d be interested in hearing your thoughts on how it compares to the Enigmatic.I don't know, @Tito83... I sold both my UAFX Dream and Ruby pedals. I preferred my Tone King preamp pedal and various Tonex captures over the Dream, and also preferred various Tonex captures over the Ruby. So far, I've kept my UAFX Enigmatic, though.
I recently picked up an HX Stomp, and to be honest, I'm a bit underwhelmed so far. Probably not a popular opinion on this board ("Do not sell your Stomp," etc.). And I do think it's probably user error—i.e., I haven’t spent enough time dialing things in yet.
I would love to see them sit down with one low-gain and one high-gain amp and really give them exhaustive playthroughs where we hear the full range of treble, bass, presence and so on across all channels. Switch up the cabs too. Add effects and switch between their focus zones.
Have you played with the Grammatico GSG yet? I’d be interested in hearing your thoughts on how it compares to the Enigmatic.
Do we get that tee shirt with purchase? I take a small