JasonE
Roadie
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- 490
Need to suggest this to RME.Also for the @IK Multimedia folks, would definitely love to see an audio interface with this feature built in.
Need to suggest this to RME.Also for the @IK Multimedia folks, would definitely love to see an audio interface with this feature built in.
I am still very interested in this unit. I run the Yamaha H7 speakers along with the sub. I am assuming that this unit goes between my interface outputs and the speaker inputs. I haven't looked at the connections on the hardware for this too deep yet.
I did get a chance to look at the hardware online after I posted and saw that it is XLR in and XLR out. That will be perfect for my setup. I already have the cables. I had to change my cables when I got my new interface a couple of years ago. The cables I used on the one before the new one will work for this.Correct, it goes between the two. You will want a pair of XLR cables to run from the ARC to the monitors.
The HS8 speakers sound a lot better with the ARC. At least for my room, it fills out the low end substantially, where it was more upper bass before, now it's a lot flatter and deeper. It also scoops out the low mids a bit which clears up the sound. I think for the most part that's due to room issues rather than speakers but either way it should help.
I've spent the last few days rearranging my room and trying different speaker positions. Funny enough every change I make seems to make it worse lol. But I'm getting my desk put back together now.
I did get a chance to look at the hardware online after I posted and saw that it is XLR in and XLR out. That will be perfect for my setup. I already have the cables. I had to change my cables when I got my new interface a couple of years ago. The cables I used on the one before the new one will work for this.
Sounds like you are enjoying the unit so far. I will probably pick one up once I get through my taxes and start digging into my recording again.
I went in big when I had to replace my interface. I decided to spend more money and buy something that was going to be as future proof as I could find. I bought the RME UCX II. It is a much higher quality interface than what I was using. However, it uses balanced 1/4 input and output connections. My other interface was XLR for both.I run balanced 1/4" to XLR from my MOTU interface, then XLR out to the Yamahas. Nice thing with the ARC is that it includes a power supply (always on), and you don't need to keep USB connected after it's set up.
I don't love on my MOTU M4 that it is USB powered, so anytime I unplug my laptop it powers off (even though it's plugged into a powered USB hub). I'll likely swap it out for something that has separate power at some point.
That...seems like a ridiculous oversight in design. It's not like XLR etc connectors should vary much in weight, right?Oh one other funny thing, after everything is plugged in the ARC is weighted so much to the back that it just tilts back at an angle. I'm going to need to add some weight to the front so it sits flat again.
That...seems like a ridiculous oversight in design. It's not like XLR etc connectors should vary much in weight, right?
I guess you need to put a rock on top of it. Then you can say it's your rock rig!
Sonarworks Reference ID was really buggy in my experience. It would crash on both my Mac and PC just by turning on the Axe-Fx 3 I had, or any other audio interface. But that was a few years back so it might be better now.Have someone compared this to Sonarworks SoundId?
So far I don’t see any advantages tbh.
Yeah, they don't specify distance from the listening position for the horizontal mic test positions. Only vertical distances are specified. I also thought that was odd. I did measurements anyway to keep it consistent. 6 inches away forward/back from position 1 for the 4 corner tests and 12 inches away for the 2 side test locations.Demoing just the software part of this. Now that I have the Neumann's with their own built in DSP, its quite tempting to not have to use plugins for my other monitors either. If it goes well, I might grab one of these boxes. I know I should know better than to put any kind of trust in IK, but credit where its due, they've got a product to market before anyone else that people were looking for (and at a good price - looks like IK have sold out of their first run of these). I kind of wish someone else would have got this product out first, but hey-ho.
Initial thoughts:
- I'm very familiar with Sonarworks and have recently got on Neumann's calibration too. IK is the only one where you don't have to provide measurements of how far the speakers are apart or how far you are from them. Feels a bit more rogue.
- Its quite hard to consistently position the mic in the same spot for each height withough pre-marking spots on the ground. I wish it was a bit more specific with where its looking for the mic to be placed (Sonarworks + Neumann are much more fussy about this).
- You can't go back on a previous measurement. When doing 21 of them, its annoying to realise half way through that the mic is a bit high or has sagged in position, to have to redo all of them.
- Software is actually quite clean and snappy which is rare for IK. Runs nicely and looks good.
- I did a measurement on ARC 3 (which I own but never used) and the demo of ARC 4. Both yielded quite different "before" plots, despite using the same mic. I wonder how much the differences are in how hard it is to place the mic in the same spot each time.
- Good options for how the software handles the calibration. I don't like linear phase, and its nice to control how hard the EQ is working in various ways. With v4 there is good options for the target curve too.
- The results are somewhat comparable with Sonarworks, I'm not sure I could pick a preference of the quality of one over the other. The Neumann calibration is doing a LOT more on a deeper level and improves things more noticeably. This is like a gentle EQ-ing to improve things a bit, but you don't get anywhere near the same level of spatial depth and subwoofer punch that the Neumann can do.
On the whole, its quite good. Its certainly cheaper than a Trinnov, and its also cheap enough to reduce your expectation to "it'll probably come out sounding slightly better rather than worse", so in that regard, I think you can expect some kind of improvement.
What remains to be seen:
- When IK comes along with v5, I literally have NO IDEA what to expect from them as far as upgrade policy for current users. No doubt, due to the success of this, they will probably offer other boxes that support several monitors, external controllers, built in interface (with measurement mic preamp) etc. IK are without doubt one of the worst companies to handle this kind of stuff fairly, so buying in at this version basically means I will have to accept that for any new versions or features, its likely that I'll be paying close to a "sale price" just to stay up to date.
What I would recommend:
- I think the fully integrated systems offered by Neumann and Genelec are simply on another level. If you can afford to go that route, I just don't see how you can top it. Trinnov is also fantastic, but the pricing is ludicrous as they charge you extra for support of additional speakers and subwoofers. Neumann have the lowest point of entry with the highest bang for your buck - you can have time aligned subwoofers and phase corrected montioring for less than the cost of a bone stock Trinnov on its own.
Stop doing this. Get slate VSX. Trust me on this.