ragingplatypi
Roadie
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%1000 agreed .I take Helix with some good DT770s over any tube amp and any cab on any day….. I realize I am uncool as fuck.
%1000 agreed .I take Helix with some good DT770s over any tube amp and any cab on any day….. I realize I am uncool as fuck.
I take Helix with some good DT770s over any tube amp and any cab on any day.
With the edge of dust cap, do you mean the edge of the center with that? Or the edge?
getting curious about headphones here. Is it better than having monitors? I like my JBL 305s a lot.
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Something like this for example. Using a "7 Dynamic" aka Shure SM7B here, but you can swap that for a SM57 for a different character.
I vastly prefer playing through monitors in case I can turn them up a bit. But I'm using headphones:
- When I can't turn the monitors up.
- To create or at least finalize my patches (they seem to translate better to FR monitors that way).
- To mix some things. I don't have great listening conditions, let alone a tweaked room, so headphones are the only way for me to halfway tell whether things are ok.
It was this forum where I read for the first time you still need to turn up the monitors to get the best experience
I find that with monitors I can have up to 10 dB less volume for what I consider a great sound/feel compared to playing through a guitar cab in the same room. So that's quite a bit less volume because of the nearfield monitoring. Obviously the two sound different.It was this forum where I read for the first time you still need to turn up the monitors to get the best experience :) I thought the Stomp + monitors where a good bedroom alternative.
I find that with monitors I can have up to 10 dB less volume for what I consider a great sound/feel compared to playing through a guitar cab in the same room. So that's quite a bit less volume because of the nearfield monitoring. Obviously the two sound different.
I like studio monitors better than headphones, but headphones are still useful when you want to play later in the evening, plus everything Sascha said.
Are the headphones better at capturing sounds at lower volumes? is that what you mean?
Headphones filter some outside noise (of course depending on whether they're open, close or anything inbetween). Also, with headphones you usually deliver more volume to your ears. At least you can do that, whereas studio monitor volume is limited by neighbours, the police and also your shitty sounding untreated room.
Headphones filter some outside noise (of course depending on whether they're open, close or anything inbetween). Also, with headphones you usually deliver more volume to your ears. At least you can do that, whereas studio monitor volume is limited by your wife, neighbours, the police and also your shitty sounding untreated room.
I think a lot of that depends on the quality of your studio monitors and headphones. Headphones especially are all over the place, whereas studio monitors will always be affected by the room as well as the quality of the monitors themselves.Are the headphones better at capturing sounds at lower volumes? is that what you mean?
I think a lot of that depends on the quality of your studio monitors and headphones. Headphones especially are all over the place, whereas studio monitors will always be affected by the room as well as the quality of the monitors themselves.
To me, an amp (for sake of simplicity, let's cram modeler + poweramp under this) through a guitar cab needs to be at around 85-90 dB @ 1m volume to sound good to me. By comparison I could get by with nearfield listening at 75-80 dB @ 1m through studio monitors, which is already a way more reasonable volume for home use.
If you have to play at really low volumes, I'd rather use headphones than studio monitors at a whisper. You can turn those headphones up more without bothering family, neighbors or whatever reason you might have to play very quiet. Anything will sound better louder.
I wish live guitar players could figure this out. They so often believe hanging any mic, in 15 seconds, anywhere with drums and bass and crap leaking into it, getting tripped over and moved through the show, and bouncing up and down with every kick drum, is somehow magically going to be better to the audience than an IRMicing a cab really isn’t as straight forward as there being one magical sweet spot or blend that is better than the others. It’s all context dependent with a ton of moving parts, and most of all personal preference.
I wish live guitar players could figure this out. They so often believe hanging any mic, in 15 seconds, anywhere with drums and bass and crap leaking into it, getting tripped over and moved through the show, and bouncing up and down with every kick drum, is somehow magically going to be better to the audience than an IR
Or you use a Sennheiser E906/609 style mic and just hang it from the amp handleWhich is why I always used a mic clamp. Same position every time, no shaking, can be moved with the cab, etc.
This is easy AF, still a clamp is definitely tighter.Or you use a Sennheiser E906/609 style mic and just hang it from the amp handle
Its still not going to come anywhere close to a multi mic'd amp in a pristine environment and ideal listening conditioningWhich is why I always used a mic clamp. Same position every time, no shaking, can be moved with the cab, etc.