NAM is based on WaveNet neural networks, and these are quite resource intensive, particularly for DSP hardware. This is also the technology used by ToneX, as far as i know.
If Line 6 creates a capture method, just know that it's going to be put to this level of scrutiny if not higher. It would make sense that the Line 6 folks do something like this level of comparison in house before shipping it.
Unfortunately all the guys who don’t make music will spend more time trying to get views being loud on the internet about the accuracy, so you gotta be at least as good as the last thing.As one of the comments say, even though you can see differences, you could make really amazing sounding guitars with any of the three.
No need to focus on being the most accurate. Just be accurate enough and leave the rest on the player to write great music.
Yeah, you're right. Still, I want to believe that most people don't care that much and appreciate other things.Unfortunately all the guys who don’t make music will spend more time trying to get views being loud on the internet about the accuracy, so you gotta be at least as good as the last thing.
Care to elaborate? Tonex gets very good results for the hardware they are using.TONEX is LSTM with a FIR filter in front.
Care to elaborate? Tonex gets very good results for the hardware they are using.
I know what LSTM networks are. I'm curious about the specifics of the Tonex implementation. Particularly if/how they are combining it with an impulse response in a single capture (as opposed to capturing a cab IR independently).LSTM is another type of neural network. I haven't played much with those, but IIRC they're in general less resource-hungry than WaveNet - and less accurate as well.
Oi! I do make music!Unfortunately all the guys who don’t make music will spend more time trying to get views being loud on the internet about the accuracy, so you gotta be at least as good as the last thing.
I doubt it. They probably use some kind of simple algo for simulating its removal.I know what LSTM networks are. I'm curious about the specifics of the Tonex implementation. Particularly if/how they are combining it with an impulse response in a single capture (as opposed to capturing a cab IR independently).
It has seemed like they are doing something like that, since they can kind of "turn off" the cab part of a full rig capture.
If they have a way of separating the linear part of a capture from the nonlinear part, that could be turned into an IR (for the linear) and a NN (for the nonlinear). It wouldn't be a true amp/cab separation - more of a separation of EQ from distortion/compression.I doubt it. They probably use some kind of simple algo for simulating its removal.
No, you lose information. It’s not like one is entirely linear and the other is entirely non-linear.If they have a way of separating the linear part of a capture from the nonlinear part, that could be turned into an IR (for the linear) and a NN (for the nonlinear). It wouldn't be a true amp/cab separation - more of a separation of EQ from distortion/compression.
I've thought for a while that this could be a good way of doing captures. If you can handle the linear parts with an IR, there is less work for the NN to do.
The main problem is that standard IR capture techniques assume a fully linear system.
If by "one and the other" you mean amp/cab, I agree. Cabs are *mostly* linear. Amps are a combination. If you were able to separate out the linear part of an amp/cab full rig capture, it would be a combination of amp/cab behavior. If you are trying to get perfectly separable amp/cab behavior from a single capture, that's a problem. If you are just trying to divide and conquer the problem to achieve a more accurate profile at a lower CPU cost, it isn't a problem.It’s not like one is entirely linear and the other is entirely non-linear.
Guitar speakers are non linear. How could a guitar cab be linear?If by "one and the other" you mean amp/cab, I agree. Cabs are *mostly* linear. Amps are a combination. If you were able to separate out the linear part of an amp/cab full rig capture, it would be a combination of amp/cab behavior. If you are trying to get perfectly separable amp/cab behavior from a single capture, that's a problem. If you are just trying to divide and conquer the problem to achieve a more accurate profile at a lower CPU cost, it isn't a problem.
Guitar speakers are non linear. How could a guitar cab be linear?
Thanks for clarifying - I think I’m on the right page now.Guitar speakers are non-linear in frequency response. In the context discussed above, linearity means time invariance - i.e. they don't distort, and can be (very accurately) modeled by impulse responses.
In general, speakers only distort when pushed outside their operating limits. Which is bad news, guitar or not