paisleywookiee
Rock Star
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I'll take a Helix over a Kemper any day. I'm always baffled how people are so happy with it.
I'll take a Helix over a Kemper any day. I'm always baffled how people are so happy with it.
Amazing movie!- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.youtube.com
I bought the fucking thing 6 times.
Rhymes with Mural Gillespie?the evil mega-corp I work for
It was after the X3 live I got the Axe FX Ultra, so things got better tone wise. I dont really count the Spider Valve, as that was an bad sounding Combo Amp, and not a 'modeller' haha.Dude, you've owned 7.
7! Are you sure it's gonna take a lot for you to own one more?
I understand a lot of what you writing, and had the same problems with my presets when owning the Ultra, and then the Axe FX II.Since we somewhat agree on your summary, I'll simply add the reliability component and one other thing that will cause this forum to explode.
1) device reliability
-I have had many Line 6 devices and never ever had a problem with hangs or crashes. I did have a Line 6 LT and the pedal broke and Line 6 even fixed it outside of the warranty period
-Kemper - outside of a firmware update crash - it was totally reliable
-FAS - I have had regular crashes where the audio on my AX3 and FM9 will hang due to either too much fiddling with core parameters or high cpu lockout
-QC - I had to return a unit because it was completely unstable. I tried another one earlier this year but felt uneasy because it still seemed too buggy. Audio drops, output level fluctuation. The included power supply is still a joke
2) Can of worms open.
For some reason this is seldom talked about and I'm not sure why.
There are plenty of complaints about the dated UI for Fractal but I don't see much talk about the block versioning.
Before you go shitting on me, I do feel that the Axefx is clearly the most capable device around with respect to effects and routing, and it does sound great...and then better...and then not.. and then better again after re-tooling.
The biggest pain point for the Fractal ecosystem for me is the versioning anomalies and the sheer amount of code changes/revisions. The fine tuning needed to maintain staying current can be overwhelming.
One could also stay on the current code but new versions also include bug fixes so sometimes it may be in your best interests to upgrade despite being completely content with your sounds. Changes sometimes happen that change the behaviors of the underlying algorithms that affect almost everything......and (here it is), after upgrading, you can actually have effects blocks that still show the parameters from the older code versions if you don't manually reset those blocks.
For example if you have a preset that was last saved with older block versions (ex. fw22) they, and that version's parameter controls, will stay in tact until you either manually refresh the blocks or if you are creating a new preset from scratch.
This is tremendously confusing, as there is no way to tell which version of each block is currently running.
Here is my best example. I have a preset that I made 5 copies of so that I could tinker with different things. Over time, this has ended up with one of the presets having a FW22 reverb, another for Fw23 reverb and so on. That's just the reverb. This can happen across the gamut.
There is no visible version mapping per block so I really don't know which version of each of the different blocks are running. More specifically, there are different dials on each of the reverb blocks now. Older blocks will show the controls that were available in that version, newer blocks will show the up to date dials. As I said, the blocks can be manually refreshed to use the new versioning or if you create a new preset and choose that reverb, the new controls will be revealed. However, in some cases, I prefer the preset with the older blocks. ffs.
You can even copy an old reverb block and paste it to a new preset and then it's back on the old parameters. It's mind numbing and the only product that I know that does this.
Like I said, this is my biggest gripe.
For those that create simple presets and/or only maintain a few core sounds that might not seem like a big deal.
Some people just use an amp and cab block. For me, I use kitchen sink presets mostly that are fully populated with multiple phasers, reverbs, chorus, pitch, amps... In the end I spend more time f'ing around than anything else. For those that actually sell presets, I can only imagine how they try to keep up with things for their customers.
This is the underlying reason why I rank the Fractal behind the QC and the Kemper. I would categorize this as an 'ease of use' problem.
What I would say is that no serious band guitarist would use a 2 or 3 footswitch pedal live..... this is true no matter who makes it.
Yes, and it is still a perfectly valid way to gig for many. Nothing wrong with a Vox and a Les Paul.There was a time when guitarists of very high standing performed entire shows plugged straight into a single channel amp...
Yes, and it is still a perfectly valid way to gig for many. Nothing wrong with a Vox and a Les Paul.
But .......
Anyone who is in the market for a digital amp isn't likely going to be satisfied with a single tone .... don't you think? Seriously, just because you can listen to music on a record player doesn't make a record player a good reason not to subscribe to a streaming service..... and anyone looking to subscribe to a music streaming service isn't likely to go out and buy a record player instead.
Lame!! How did they change scenes?!There was a time when guitarists of very high standing performed entire shows plugged straight into a single channel amp...
I’m not going to say you’re wrong, but you are making big generalizations. I’ve done plenty 3 button device rigs. Because some people just need clean, dirt, lead. But they want a device that’s tiny AF.Yes, and it is still a perfectly valid way to gig for many. Nothing wrong with a Vox and a Les Paul.
But .......
Anyone who is in the market for a digital amp isn't likely going to be satisfied with a single tone .... don't you think? Seriously, just because you can listen to music on a record player doesn't make a record player a good reason not to subscribe to a streaming service..... and anyone looking to subscribe to a music streaming service isn't likely to go out and buy a record player instead.
Lame!! How did they change scenes?!
Wow, you're like a walking, talking billboard with your bad luck with Fractal.....sorry to hear about that!I understand a lot of what you writing, and had the same problems with my presets when owning the Ultra, and then the Axe FX II.
Firmware updates where a lot of fun in the first few years, and I love to get new things but it messes with my presets I had in my bands and as you say we need bug fixes, so I had to update. And if I waited too long without updating the sound would change a lot!
I will say I have read of a lot of problems with the QC, but myself and my other Friends don't have any problems. 3 years owning it now.
I have stopped live gigging, but my other friends are still gigging and they don't have any problems.
With my Axe FX II, I had to repair the value wheel (after 4 years), I had to take it in for modification on the outputs in the first 4 months. I had problems with reamping (the DI level was too low) I tried to get some help but there was none to be had. That bug ed me a lot, As I was recording quite a bit. So that's a lot of problems in my book in just one unit. Axe Edit would crash all the time, with me having to restart the computer. That sucks when you're recording
Like I said so far.. so good with the Quad Cortex.
Ps: I would never ever buy presets for the Axe FX products, as it's too much changes, all the time. And you would have to wait until the maker updates the presets.
Yeah for "FRFR", I strongly urge people to keep the same IR for their stuff. Otherwise it sounds disjointed as hell. Unless, you’re going for that I guess.The presets I use with my band all center around the same basic amp and cab for the sake of consistency. Things start to get freaky in a hurry if you're changing everything up for each song.