Sascha Franck
Rock Star
- Messages
- 6,475
I just wish I knew what I was doing and why certain stuff works and other does not.
Any examples? Because IMO that's not all that hard.
I just wish I knew what I was doing and why certain stuff works and other does not.
Are there things you wish you would have focused on more?Are there things you wish you would have focused on more? Focused on less?
If you could go back to the day you first picked up the instrument what advice would you give yourself?
I do think about that occasionally, but it's more of a 'what if?' than regret.1. Start playing at an earlier age. I didn’t pick up guitar until my last year of college, and I missed out on those years of teenage woodshedding.
Allan Holdsworth was 18 when he started.I do think about that occasionally, but it's more of a 'what if?' than regret.
I didn't start playing til I was 17. The yrs from 12-16 could have been huge, but I was more into sports, which I don't regret either.
Ok, thanks?Allan Holdsworth was 18 when he started.
Very true. It's what has kept me from bothering to look for the right one, and the right antidepressant.I think about this one a lot. The trouble is, after a certain point, you need to find the right instructor. Not just a good player, but a good teacher - one who can identify your needs and address them efficiently. You've gotta kiss a lot frogs, as the saying goes.
The naturally talented player is sometimes the worst teacher, because he/she never had to think much about their process. I took lessons with a local blues/rock phenom for a brief while. Great guy, incredible player... but his answer to every question was, "I dunno, I just sorta do something like this... <plays something I can't play>".Very true. It's what has kept me from bothering to look for the right one, and the right antidepressant.
A great player =/= a great teacher.
And those who can't do either (looking in mirror while writing this) simply fumble around in the dark!Those who can do. Those who can't teach.
It is the ultimate compositional instrument. You just can’t bring one to a campfire.I’d have incorporated piano into my learning. Now 40 years later, I’m trying keyboard and music theory is so much easier with a keyboard layout.
What is that? I'm thinking I know what it is, but by another name...?2-point interval shape.
Allan Holdsworth was 18 when he started.
Probably? I'm referring to understanding the interval between any two notes by visual recognition. For instancing, if I play an A note on the low E string, knowing immediately that the skipping one string going up and playing on the same fret (5th) gives me the m7 (aka b7) with A as the root.What is that? I'm thinking I know what it is, but by another name...?
Have you ever heard of "A.C.E. Guitar Method"? It has an entire section devoted to learning the fretboard note/interval relationships, and starts by covering simple octaves. It's the best, most easily-grasped, method of explaining this stuff I've ever come across. It's free to download, but the author asks that it not be shared, so all you'd have to do if you want it, is a Google search, and it should come up.Probably? I'm referring to understanding the interval between any two notes by visual recognition. For instancing, if I play an A note on the low E string, knowing immediately that the skipping one string going up and playing on the same fret (5th) gives me the m7 (aka b7) with A as the root.