Chocol8
Shredder
- Messages
- 1,076
My pleasure!
So you are working at Chick-Fil-A to supplement your musical income? (This will probably go over the heads of any non-Americans but I am OK with that)
My pleasure!
So you are working at Chick-Fil-A to supplement your musical income? (This will probably go over the heads of any non-Americans but I am OK with that)
You could do the music thing down here. I have never made less than $100 for a night. I have had bands that I have been in where I was bringing all of the PA gear and dealing with everyrhing that comes with that and I was making $150 a night with some of those groups. The hard part is getting a band together with guys you can stand to be around and getting good. Then comes the booking of the gigs. I seem to find myself doing all of this stuff as well as being the music director in most bands I have been in. My plan is that the next one I get in I am not going to offer all of these things. I will offer to be a resource for someone else in the band to learn it and take it over.Last year I was heavily debating whether I should quit my job and move back up to New England where I’d make music my money earner. A couple buddies who have been at it up there for decades were really selling me on the idea but the more I dug into it, the more I realized it wasn’t realistic for me. Unless I got into a wedding/corporate band situation where the pay is considerably better, I’d be looking at lots of $50 nights and a TON of traveling between Maine, NH and Massachusetts.
Not being motivated by money pretty much removes any “hustler” traits I could possibly have, if I didn’t have gigs being offered to me nonstop I’d be broke before the month was over and where I’ve already spent the first half of my life mostly living hand-to-mouth I didn’t want the 2nd half of it to be more of the same or worse.
So you are working at Chick-Fil-A to supplement your musical income?
It depends what you mean. I've been working in music since I was 23. Even at that age, I knew I didn't want to try and make it as a full time musician, or a session guy, or anything like that. Part of the reason was I knew it was very hard, and part of the reason was I knew that society was moving on already. But also part of the reason was, I have a lot of interests. I'd genuinely rather be coding at home or working on some sample pack or some graphic design, than playing songs I never wrote to a room full of people who don't really care that much.… what’s the grind like? Is it worth it? What’s your breakdown concerning lessons and playing shows and studio work? How do you get over dealing with opposing personalities?
You could do the music thing down here. I have never made less than $100 for a night. I have had bands that I have been in where I was bringing all of the PA gear and dealing with everyrhing that comes with that and I was making $150 a night with some of those groups. The hard part is getting a band together with guys you can stand to be around and getting good. Then comes the booking of the gigs. I seem to find myself doing all of this stuff as well as being the music director in most bands I have been in. My plan is that the next one I get in I am not going to offer all of these things. I will offer to be a resource for someone else in the band to learn it and take it over.
I've been associated with metal so much down here it'd be hard to get through that "Isn't that the screamer dude from _____ and ___?" point of entry.
Thanks guys. You made me feel better about it.
My dreams of having a sole life of music died a long time ago, and in retrospect I'm glad they did. I wouldn't have survived the changes, since I'm not good at pivoting to stay ahead of the changing landscape. I also think making a living from it would've killed the fun for me.
The thing that sucks, is there's no clear path, that if you do A, B, & C, you will succeed. It's a gamble, and lots of luck involved. If you really love it though, and that's what you want to do with your life, you have to go for for it 1000%, and do it while you're young. No, "having a good skill-set to fall back on in case things don't work out." You have to be willing to push ALL your chips in, and that's still no guarantee.My buddy toured several states in the early 00’s. The stories of having to shower at truck stops, or sometimes not at all, rewearing dirty clothes, eating whatever shit fast food you could find, all sold me on NOT trying to go that route.
But you listen to them.The thing that sucks, is there's no clear path, that if you do A, B, & C, you will succeed. It's a gamble, and lots of luck involved. If you really love it though, and that's what you want to do with your life, you have to go for for it 1000%, and do it while you're young. No, "having a good skill-set to fall back on in case things don't work out." You have to be willing to push ALL your chips in, and that's still no guarantee.
I'm not made like that. Glad some are though!
Even Dream Theater's story is fascinating in that regard: No lead singer for 18 months, going through 200 auditions, about ready to give up when they found LaBrie. And again, almost throwing in the towel prior to SFAM's huge success.
Wanting to "go for it" by pursuing music at Berklee (hard sell to the parents), then wanting to quit Berklee and "go for it again" (another hard sell, lol.) Takes guts, that's for sure, especially when you're playing that prog shit that only music nerds listen to!![]()
I include myself in that description! Why else would 98% of the shit I work on be written by John Petrucci?But you listen to them.
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My buddy toured several states in the early 00’s. The stories of having to shower at truck stops, or sometimes not at all, rewearing dirty clothes, eating whatever shit fast food you could find, all sold me on NOT trying to go that route.
Ahhhh, sweet, my wife has a paganini press, primo samiches!I include myself in that description! Why else would 98% of the shit I work on be written by John Petrucci?
(I have some Paganini too.)
*paniniAhhhh, sweet, my wife has a paganini press, primo samiches!
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