Some NAM profiles for y'all

185 models! 🤯
216 actually but it's split between 2 architectures (accuracy levels) which are further split into:

AMP = full amp + reactive load
POW = just the poweramp + reactive load
PRE = just the preamp

There are 2 profiles in there that can be used in series, after / with the AMP or POW profiles.

Either one of those [FRC] (frequency response correction) can be used since it's trained from the WET reamp of the poweramp with a reactive load against a WET reamp of the same poweramp (exact same settings) but with my Mesa 4x12 Oversized Straight loading down the poweramp.
 
Either one of those [FRC] (frequency response correction) can be used since it's trained from the WET reamp of the poweramp with a reactive load against a WET reamp of the same poweramp (exact same settings) but with my Mesa 4x12 Oversized Straight loading down the poweramp.
I'm curious how far one could take this. If, for instance, it would be possible to have an amp captured with a resistive load and use another NAM to emulate the cab - impedance and all.

I apologise for, yet again, trying to communicate (and think) before coffee.
 
I'm curious how far one could take this. If, for instance, it would be possible to have an amp captured with a resistive load and use another NAM to emulate the cab - impedance and all.

I apologise for, yet again, trying to communicate (and think) before coffee.
I'm pretty sure it's doable
 
Salvation Audio "Unnamed" (Fortin Meshuggah) preamp:


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Fortin Fourteen overdrive / boost:


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The Salvation Audio Camerock - a Synergy / Randall MTS / Egnater module based on the mythical Cameron CCV.


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Route this one out to a real tube amp's FX Return or daisy-chain it in the DAW into another NAM profile of a poweramp to get it going. This thing has a ton of character.
 
I added a few more profiles to the Ceriatone Molecular 50W and King Kong 100W profile packs.
Love those 2 amps.

I wanted to revisit the King Kong 100W because the published pack didn't include any Jose-clipping profiles, me having decided to stick to pure-tube distortion & making use of the Mr. Scary Mod at that time. That's been corrected now & diode clipping profiles have been included.

Probably my last profiles for a good while since we're relocating / moving home.
 
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Hey dude! I have an RME UFXII and the SigArts reamper - how have you got the outputs setup in TotalMix in order to get +13dBu?

Just wanna sanity check my setup.
You could do it 2 ways:

Option1:

1. Set your Hi-Z (IN3 and IN4) to +19 dBu. That will actually get the to +13 dBu headroom (manual says that's the spec for the Instrument input when you plug in a TS jack).

You can later verify this if you loop in a ~ 3.46 VRMS sine back in on the HiZ input - it should be close to 0 dBFS in the DAW. In my most recent tests I found out my unit actually takes about 13.195 dBu (~ 3.54 VRMS) before it clips so an extra 0.2 dBU of headroom on mine.

2. Leave all the sliders at 0 / unity in TotalMix, shoot a -12 dBFS sine @ 1000KHz out via one of the Line Outputs into the SignalArt.

3. Loop the SignalArt into your Hi-Z input (IN3 or IN4)

4. Adjust the pot on the SignalArt until your DAW reads the same value (-12 dBFS if that's what you generated) for the signal coming back into the Hi-Z input

Option2:

• Steps 1 - 3 are identical
• Crank the output on the SignalArt reamp all the way up
• Tweak the TotalMix slider in the last step for the LineOut you're using to feed into the SignalArt reamp box until you get the same value.

Hope this helps a bit.
 
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