Some NAM profiles for y'all

jellodog said:
185 models! 🤯
Click to expand...
216 actually but it's split between 2 architectures (accuracy levels) which are further split into:

AMP = full amp + reactive load
POW = just the poweramp + reactive load
PRE = just the preamp

There are 2 profiles in there that can be used in series, after / with the AMP or POW profiles.

Either one of those [FRC] (frequency response correction) can be used since it's trained from the WET reamp of the poweramp with a reactive load against a WET reamp of the same poweramp (exact same settings) but with my Mesa 4x12 Oversized Straight loading down the poweramp.
 
2dor said:
Either one of those [FRC] (frequency response correction) can be used since it's trained from the WET reamp of the poweramp with a reactive load against a WET reamp of the same poweramp (exact same settings) but with my Mesa 4x12 Oversized Straight loading down the poweramp.
Click to expand...
I'm curious how far one could take this. If, for instance, it would be possible to have an amp captured with a resistive load and use another NAM to emulate the cab - impedance and all.

I apologise for, yet again, trying to communicate (and think) before coffee.
 
Humbug said:
I'm curious how far one could take this. If, for instance, it would be possible to have an amp captured with a resistive load and use another NAM to emulate the cab - impedance and all.

I apologise for, yet again, trying to communicate (and think) before coffee.
Click to expand...
I'm pretty sure it's doable
 
Salvation Audio "Unnamed" (Fortin Meshuggah) preamp:

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Salvation Audio UNNAMED (Fortin Meshuggah preamp) NAM Profile · TONE3000

Check out 2dor's neural amp head capture for guitar, bass and recording: If you like my work & want to support it, you can do so here: PayPal: https://paypal.me/2dorNAM Revolut: @tudoraa6j6 The Salvation Audio UNNAMED is a boutique preamp recreation of the revered "Fortin Meshuggah" for the...
www.tone3000.com

1752064433233.jpeg
 
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Fortin Fourteen overdrive / boost:

www.tone3000.com

Fortin Fourteen overdrive NAM Profile · TONE3000

Check out 2dor's neural pedal capture for guitar, bass and recording: If you like my work & want to support it, you can do so here: PayPal: https://paypal.me/2dorNAM Revolut: @tudoraa6j6 The Fortin Fourteen is a "3 in 1" overdrive pedal built by Mike Fortin which encompasses his most iconic...
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1751485857805.png
 
The Salvation Audio Camerock - a Synergy / Randall MTS / Egnater module based on the mythical Cameron CCV.

www.tone3000.com

Salvation Audio Camerock (Cameron CCV preamp) NAM Profile · TONE3000

Check out 2dor's neural amp head capture for guitar, bass and recording: If you like my work & want to support it, you can do so here: PayPal: https://paypal.me/2dorNAM Revolut: @tudoraa6j6 The Salvation Audio Camerock is a boutique preamp recreation of the mythical "Cameron CCV" for the...
www.tone3000.com

1752041961739.png


Route this one out to a real tube amp's FX Return or daisy-chain it in the DAW into another NAM profile of a poweramp to get it going. This thing has a ton of character.
 
I added a few more profiles to the Ceriatone Molecular 50W and King Kong 100W profile packs.
Love those 2 amps.

I wanted to revisit the King Kong 100W because the published pack didn't include any Jose-clipping profiles, me having decided to stick to pure-tube distortion & making use of the Mr. Scary Mod at that time. That's been corrected now & diode clipping profiles have been included.

Probably my last profiles for a good while since we're relocating / moving home.
 
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Orvillain said:
Hey dude! I have an RME UFXII and the SigArts reamper - how have you got the outputs setup in TotalMix in order to get +13dBu?

Just wanna sanity check my setup.
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You could do it 2 ways:

Option1:

1. Set your Hi-Z (IN3 and IN4) to +19 dBu. That will actually get the to +13 dBu headroom (manual says that's the spec for the Instrument input when you plug in a TS jack).

You can later verify this if you loop in a ~ 3.46 VRMS sine back in on the HiZ input - it should be close to 0 dBFS in the DAW. In my most recent tests I found out my unit actually takes about 13.195 dBu (~ 3.54 VRMS) before it clips so an extra 0.2 dBU of headroom on mine.

2. Leave all the sliders at 0 / unity in TotalMix, shoot a -12 dBFS sine @ 1000KHz out via one of the Line Outputs into the SignalArt.

3. Loop the SignalArt into your Hi-Z input (IN3 or IN4)

4. Adjust the pot on the SignalArt until your DAW reads the same value (-12 dBFS if that's what you generated) for the signal coming back into the Hi-Z input

Option2:

• Steps 1 - 3 are identical
• Crank the output on the SignalArt reamp all the way up
• Tweak the TotalMix slider in the last step for the LineOut you're using to feed into the SignalArt reamp box until you get the same value.

Hope this helps a bit.
 
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Sorry, just catching up on this...
2dor said:
Option1:

1. Set your Hi-Z (IN3 and IN4) to +19 dBu. That will actually get the to +13 dBu headroom (manual says that's the spec for the Instrument input when you plug in a TS jack).
Click to expand...
I don't get this bit. For my UFXII, my Hi-Z capable inputs are 9, 10, 11, and 12.
1752658768343.png


The lowest amount of gain these can be set to when set to instrument mode is 8dB. There is no dBu setting for these inputs. But the specs say:
1752659192163.png


Given it says 'as AD' - I'm assuming +19dBu.

My 3rd line output, which is connected to my SigArts reamper is set to High-Gain:
1752658908029.png


I assume that this is +19dBu.

Basically, the problem I am trying to solve is, I want to be sure that when I tell people my NAM captures are calibrated for (n)dBu, that this is actually true.
 
Orvillain said:
Sorry, just catching up on this...

I don't get this bit. For my UFXII, my Hi-Z capable inputs are 9, 10, 11, and 12.
View attachment 48758

The lowest amount of gain these can be set to when set to instrument mode is 8dB. There is no dBu setting for these inputs. But the specs say:
View attachment 48761

Given it says 'as AD' - I'm assuming +19dBu.

My 3rd line output, which is connected to my SigArts reamper is set to High-Gain:
View attachment 48759

I assume that this is +19dBu.

Basically, the problem I am trying to solve is, I want to be sure that when I tell people my NAM captures are calibrated for (n)dBu, that this is actually true.
Click to expand...
Looks like it's +21 dBu headroom on those (page 110).

1752660306352.png


Quite some juice on that thing :chef


You can embedd that value in the profile itself during training; if you're doing it on Tone3000 you can use these fileds & folks don't need to bother with what you calibrated the profiles for - all they need to know is the headroom on their own interface; the plugin does the math.

1752660429750.png
 
Orvillain said:
Basically, the problem I am trying to solve is, I want to be sure that when I tell people my NAM captures are calibrated for (n)dBu, that this is actually true.
Click to expand...
You'll also need to measure the voltage at the end of your reamp chain to take any level changes from the reamp box into account, or run the reamp signal into your DI inputs (which you know the headroom of) and work it out that way.
 
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