Sascha Franck
Goatlord
- Messages
- 10,272
Fwiw, for me, going from rhythm to lead, unless I'm going the "organic" route (as in controlling everything from the guitar, which I sometimes really love as well), involves three things to happen:
- Adding some pre-boost
- Adding some post-leveling (and usually also a bit of EQ-ing)
- Adding some spatial FX (delay and/or reverb)
Outside of the digital realm, this usually requires 3 footswitch operations. And it's been the very reason why I went for a loopswitcher controlled setup, because ever since it's one step.
Maybe interesting enough: I'm pretty much always using a compressor as a pre-boost, adding a bit of meat and volume boost and on the post-EQ I typically boost the mids between 500Hz and 1kHz a bit and do the final lead leveling. After a bit of fiddling (the balance between pre-boost and post-EQ level is quite delicate when you mix clean and dirt) I found this to work with all of my rhythm patches, so the only variable remains the spatial effect (I gravitate to reverb for cleans and delays for dirt, sometimes I mix them).
And while digital wonderland has made all of these a piece of cake, I still stick to this very approach as I often find it to be more organic than switching to an entirely different tone (of course not exactly applicable when I want a pristine clean rhythm tone and a ripping lead one).
- Adding some pre-boost
- Adding some post-leveling (and usually also a bit of EQ-ing)
- Adding some spatial FX (delay and/or reverb)
Outside of the digital realm, this usually requires 3 footswitch operations. And it's been the very reason why I went for a loopswitcher controlled setup, because ever since it's one step.
Maybe interesting enough: I'm pretty much always using a compressor as a pre-boost, adding a bit of meat and volume boost and on the post-EQ I typically boost the mids between 500Hz and 1kHz a bit and do the final lead leveling. After a bit of fiddling (the balance between pre-boost and post-EQ level is quite delicate when you mix clean and dirt) I found this to work with all of my rhythm patches, so the only variable remains the spatial effect (I gravitate to reverb for cleans and delays for dirt, sometimes I mix them).
And while digital wonderland has made all of these a piece of cake, I still stick to this very approach as I often find it to be more organic than switching to an entirely different tone (of course not exactly applicable when I want a pristine clean rhythm tone and a ripping lead one).
