SymphonicDischord
Roadie
- Messages
- 129
In my early twenties the band I was in were hugely influenced by Tool. We were all about the the odd time sigs and big delayed clean sections. Then one day after reading an article in Guitar World about Opeth’s latest releases Deliverance and Damnation, I decided to check out Deliverance. Holy shit, my mind was blown. Then I went back an album to Blackwater Park.
I didn’t think I could be blown away anymore but low and behold it happened. I was completely blown away by the brutal heaviness, folky cleans and the fact that they were doing this all in pretty much standard tuning. It was definitely then that I learned that the riff is what makes the song heavy not tuning down 4-5 steps.
I played it for my singer and although he could appreciate it, he wasn’t quite floored by it like I was. A couple months later we saw Opeth live at the first Sounds of the Underground tour and then it all clicked for him. After that everything we wrote was a mix of Tool and Opeth. I remember at one of our earlier shows, guy doing the booking for the bar dubbed us Progressive Philosophy Metal. We loved and we completely took it and ran with it.
I didn’t think I could be blown away anymore but low and behold it happened. I was completely blown away by the brutal heaviness, folky cleans and the fact that they were doing this all in pretty much standard tuning. It was definitely then that I learned that the riff is what makes the song heavy not tuning down 4-5 steps.
I played it for my singer and although he could appreciate it, he wasn’t quite floored by it like I was. A couple months later we saw Opeth live at the first Sounds of the Underground tour and then it all clicked for him. After that everything we wrote was a mix of Tool and Opeth. I remember at one of our earlier shows, guy doing the booking for the bar dubbed us Progressive Philosophy Metal. We loved and we completely took it and ran with it.