I don't really agree with the distinct between "rack" and "stompbox" tbh. I know it is sort of short hand for high quality and low quality, or high definition and complex versus crufty but simple and musical.... but I think the distinction is pretty meaningless.
"Yes and no..." Because some contributors worked very hard on it... (and because it will be close enough for many less fanatical players)I think there is a small difference - that slick 80s 'studio' sound is something Fractal does particularly well - PCM70, TC2290, Eventide style tones.
IMO Helix is ok/good, Fractal is really really good... Still not really great IMO.
I don't think it's inherent. I get what you're saying, but for example I think the spring reverb on the Fractal stuff is pretty cool. On Helix is... passable.
But I have to say that the spring reverb on the UA Dream is on another level. For effects, UA and Eventide, closely followed by Strymon, are still noticeably better IMO.
Ughhhh... stop. I've been looking at UA pedals, specifically the Starlight and the Galaxy.I was messing around with some UA plugins today and was impressed how good they sound with so little effort. Seems like it has more immediate character than the Fractal at least for delays. There's not a lot of variety but what is there (space echo, echoplex, lexicon plate, CE-1) sounds awesome.
It did really make me miss how things are on the Helix, where it's more like a recreation of a specific effect than a wide ranging effect dialed in specifically to one sound. Now maybe it's the way the plugins default, like if they were all dialed in to be more dramatic that may change things. But it's nice when something works out of the gate without much fuss.
Ughhhh... stop. I've been looking at UA pedals, specifically the Starlight and the Galaxy.
Took Axe3 to practice last night. It was good, to be sure it was good. But yknow... it isn't immediate, it isn't instant gratification, and it doesn't look or seem as cool when the setup is put next to a set of pedals?? I accept entirely that this is all in my head.. but I couldn't shake the feeling that I wanted some pedals at my feet.
The issue is - I don't have the right pedals!
Going to have to try that model at church this Sunday.Fractal's cloud cumulocunnilingus
Do you think that is going to 'go down' well ?Going to have to try that model at church this Sunday.
I can get usable sounds from either unit, but I will admit the helix verbs and delays are far more limited than the fractal offerings. The fractal models seem to sound far more prominent also. Something in the mix law, maybe. Mix at even low levels like 15% in Fractal sounds louder than Helix delays at 50%. Helix delays lack EQ adjustment other than a couple types that have low and high cuts. Makes it difficult to get delays that stand out or aren’t too dark in some cases. Fractal verbs are just hands down better, IMO.
I've had my HX Effects for less than a year (used with my Tonex pedalboard) and my FM9 for 2 weeks. I think both are good.
On my pedalboard, I used my Bigsky for all my reverbs because I preferred those over the HX... but I had a backup setup where my reverbs would come from the HX. It could definitely be used in a pinch without any issues. Side note - I could never dial in good reverbs, but I downloaded some guys free patch and was happy with the HX reverbs then.
New to Fractal but the reverbs are quite nice and good quality. I easily prefer Fractal reverbs over HX. Do I prefer Fractal reverbs over Bigsky? For CCM/P&W guitar, the Bigsky before the amp is hard to beat. But so far the Fractal is giving me what I am looking for. I am partial to the Deep Space reverb for crystal clear reverbs ranging from simple "hall" settings to big spacey reverbs.... also the Nimbostratus is pretty similar to the Bigsky Cloud, so I've been using that for any big worship guitar parts.
Don’t get me wrong, this is a positive for my uses. Would be cool to have it be adjustable though so everyone could be happy.I wish you could adjust the mix law in the global settings for fractal, I’m always running things at like 8-12 percent.
I wish you could adjust the mix law in the global settings for fractal, I’m always running things at like 8-12 percent. Would be nice to be able to expand that especially for pedal use. I think they adjusted for the VP4.
I tend to use the damping frequency control to adjust high end for reverbs in helix and QC which works well. I’m a simple guy so just use the dynamic room, plate, and hall verbs.
Ughhhh... stop. I've been looking at UA pedals, specifically the Starlight and the Galaxy.
Took Axe3 to practice last night. It was good, to be sure it was good. But yknow... it isn't immediate, it isn't instant gratification, and it doesn't look or seem as cool when the setup is put next to a set of pedals?? I accept entirely that this is all in my head.. but I couldn't shake the feeling that I wanted some pedals at my feet.
The issue is - I don't have the right pedals!
I can't remember, did you ever try the new spring reverbs? I don't think they made it to the FM3?I used to like HX delays better. Fractal used to have the most boring sterile delays, but they have improved so much the past few years I now prefer them.
For reverb Fractal wins. Except for spring reverbs. There are no winners here when it comes to spring reverbs.
Isn't that just like turning down the mix instead of changing the curve?Global Reverb Mix
Presets - Fractal Audio Wiki
wiki.fractalaudio.com
Global Effects Mix
Presets - Fractal Audio Wiki
wiki.fractalaudio.com
YesIsn't that just like turning down the mix instead of changing the curve?