Sure.
The CE24 feels very familiar. I played an SE Custom 24 for years when I was younger, and the primary differences are the carved top, unfinished neck, and bolt-on construction, all of which I think are improvements (IMHO). The coil-splitting sounds nice, but the pickups look tacky to me. A covered pickup would look much more elegant, so I'll either add a cover (if that's even possible), change out the pickups, or go crazy and swap the chrome/nickel hardware for gold. This guitar would look incredible with gold hardware. I'm not much of a trem-abuser, so I'll block the trem and do something to dampen the trem springs. That's my only gripe with this guitar--the trem springs rattle quite a bit.
The McCarty is super cool. I was nervous about the finished neck since none of my guitars now have one, but it's very unobtrusive. I haven't played an LP in a decade or more, so I'm having fun with the ability to control each pickup (volume, tone, and split). That's a unique feature in my collection. The neck heel feels good. Now owning a tele, I understand the whole "tele on steroids" vibe. The McCarty definitely has that bite to it. I have it tuned to Drop C, but I don't know that the stock pickups work super well in that context. (I was trying to channel Leon.) I'll likely tune it back up to somewhere around standard and leave it as is. I like the pickups, it's just not a Drop C machine.
I love the 277. It feels so different from anything I own. The 27.7" scale with 22 frets is really stretching me (literally). However, I feel like my brain "thinks" in lower registers, so I find the 277 to be a more musically-inspiring instrument, if that makes sense. Obviously, the first thing I did was drop the low B to an A and chug, but there's something magical about the split neck pickup into an amp on the edge of breakup. Even my tired old licks sound great on a baritone. I think this one will get the most playtime of the three.
