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Yes, I am the guy who makes fun of Chase Bliss pedals whose output signal bears no identifiable relation with the input signal. And yes this is very much in the same vein... maybe worse LOL. But for some reason I've been low-level obsessed with this pedal since a friend of mine bought it last year, so I finally bought it from him the other day. (Full disclosure: he had finally had it with this pedal the other day. )
I don't know what it is about Alexander stuff. The paint jobs are cool. The sizes and shapes of the enclosures are just slightly "off" in a way that lends an inexplicable toy-like charisma. Like they radiate an irrationality field that makes you want to "collect all four". Even though at least three of them will have no actual musical application whatsoever.
So I'm messing around with this thing and loving it and hating it in equal measure. I go from "Eureka!" to "WTAF?" and back again every 3 minutes. The manual makes expression pedal morphing sound so elegant, but in actual practice it's borked beyond recognition. The pedal can make some gorgeous sounds - everything from rich analog delays to whammy pedal on meth madness, but the sweetspots on the encoders are ridiculously small - like fractions of a degree - and good luck intentionally getting back to that thing you loved 5 minutes ago.
I don't know. I'm not quite at buyer's remorse yet. It's one of those things that almost earns its keep just sitting around being quirky and fun. Like a gumball machine or something. And I see videos of people actually using them and explaining themselves as if there's something... causal happening. So maybe I'm still on a learning curve. Who knows.
I don't know what it is about Alexander stuff. The paint jobs are cool. The sizes and shapes of the enclosures are just slightly "off" in a way that lends an inexplicable toy-like charisma. Like they radiate an irrationality field that makes you want to "collect all four". Even though at least three of them will have no actual musical application whatsoever.
So I'm messing around with this thing and loving it and hating it in equal measure. I go from "Eureka!" to "WTAF?" and back again every 3 minutes. The manual makes expression pedal morphing sound so elegant, but in actual practice it's borked beyond recognition. The pedal can make some gorgeous sounds - everything from rich analog delays to whammy pedal on meth madness, but the sweetspots on the encoders are ridiculously small - like fractions of a degree - and good luck intentionally getting back to that thing you loved 5 minutes ago.
I don't know. I'm not quite at buyer's remorse yet. It's one of those things that almost earns its keep just sitting around being quirky and fun. Like a gumball machine or something. And I see videos of people actually using them and explaining themselves as if there's something... causal happening. So maybe I'm still on a learning curve. Who knows.
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