Welp, I couldn't resist and one of these arrived today.
I really like the Fractal FM9 + Fender FR-12 combination, but I still love the feel of analog and toobz when I want that. First impressions (running the IR-X into the FR-12) is that it really does feel analog. I haven't tried using the IR-X with proper studio monitors yet, but the FR-12 seems to love it.
The "digital veil" you get with modelers is something I can feel even when running the Fractal into a power-amp + real cab. Hard to describe, its one of those "if you know you know" sorta things. Almost as if there's a glass window between the sound and your speakers? Sounds like wanky BS but I don't know how else to convey it. I don't really feel that separation at all with the IR-X, even when using the balanced out into an "FRFR" speaker. It feels remarkably like a real amp with this setup, and much better than I was expecting. Nice!
Still need to try running it into a power-amp + my real cab, though.
I used the included wall wart power supply at first, which funnily enough is actually "Diezel" branded on the underside. Must be the same ones that ship with the little solid-state mini amps from BAD. I read somewhere (maybe on
The Other Place?) that Dave says you can actually run the IR-X off one of the Cioks DC7's 9V / 660mA outputs and it should be totally fine... so I tried doing the same with my Cioks SOL and everything appears to be hunky dory. I couldn't detect any obvious changes in sound or headroom levels.
Really digging this so far and much prefer it to the Pink Taco V2 I had. This is more flexible and doesn't seem to have the same annoying high frequency spike that was killing my ears. This thing has a crazy amount of sustain and gain on-tap if you want it. Feels great under the fingers.
Channel 2 is the MVP so far, but I'm still finding my sweet spot for Channel 1.
Real tube amps are sexy but this box has enough tubes in it to fool my dumb monkey brain.