Solarflares
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I agree, it is mostly silliness. Yes, Friedman amps do have different/more modern filtering than old Marshalls. That's for sure. But even still, they don't sound that different from a Marshall, if you set them up to sound like a Marshall.It’s silliness. Both cool brands in the flavor of M Types, but are really different things zoomed in, imo. I’m willing to bet most people that claim these things are just going off other’s opinions who got their opinions from other’s opinions, and have never really spend any real time with either.
It could be if you lived in northern Sweden or Iceland.but not that it's really a night and day difference.
yeah, ok, and if I lived in Congo, I'd be playing a tin can amp, and I'd probably be stoked about it. That's about as relevant to me as what you just said. Meanwhile, I will look at amps and prices based on what's available where I actually live. Now that's a wild idea, I know.It could be if you lived in northern Sweden or Iceland.
Next amp is a celebration of 80’s big-hair bands.Even then the entire history of rock and roll has been anything but prudish. Friedman amps are heavily inspired by the 80's Sunset Strip sound...those guys weren't choir boys by any stretch...
The Congo. If you lived there - you’d be tonight’s dinner.yeah, ok, and if I lived in Congo, I'd be playing a tin can amp, and I'd probably be stoked about it. That's about as relevant to me as what you just said.
Marshall does have a "Yank invasion" amp with 5881s, it's actually the very first amp they ever made and they still make it (JTM45), which is a copy of the Fender Bassman, which is lifted from the RCA book. Also completely irrelevant to what Friedmans sound like.
Forum narrative here: “Friedmans are too dark and bassy and lose the essence of what makes a great Marshall. I’ll go for a Bogner instead”.
There are tons of Marshall circuits that are flubbier/thicker than a Friedman, especially the newer Friedman circuits which tend to lean more bright+aggressive than the older ones.
I love a Bogner but they’re voiced right on the cusp of what is way too dark. Friedmans are bang in the middle with enough control to take it in any direction without going weird
Why spend $3,000 on a Friedman when you can get all the tones you need with a $100 pedal?
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It could be if you lived in northern Sweden or Iceland.
What makes me laugh is I thought Friedman released the ‘ultimate’ Plexi model and the Jake E Lee not long ago.
Dave designed the very poor Budda Superdrive pre-amps. Never forget that. But hang around long enough, and smile at everyone, and people soon forget.
I only hope that Marshall bring out a 6L6 amp called “The Yank Invasion”.
Far from ‘cool’. You could fry an egg on the fucker.The Budda SuperDrive was/is a cool amp.
Far from ‘cool’.
A lot caught fire - my first SD45 exploded.
Definitely not roadworthy, and the SD45 will eat up Golden Lion KT66’s at a rate of knots.
I like the use of a Sovtek 12ax7WB in V1 though. Gives lovely lo-mids and a classic Paul Kossoff vibe with the KT66’s.
So not all bad.
I found the SD18 combo to be ultimately unresponsive and dark.Sorry yours caught fire, but the 18/30 were cool amps.
I like that amp quite a bit too.The Budda SuperDrive was/is a cool amp.
It was returned for a full refund. But it took out a channel of my Classic 50/50 power amp, which was highly annoying.Sorry yours caught fire, but the 18/30 were cool amps.
£650 it’s yours - with cab, footswitch, all cables, and new spare power valves with new spare rectifier.I like that amp quite a bit too.
The only thing Friedman designed on these amps was the preamp section, so absolutely nothing to do with "eating KT66s". The rest of the amp was designed by Jeff Bober, who is actually local to me here and a very good tech. I had him service my 77 Super Lead recently and he did a great job with it.Far from ‘cool’. You could fry an egg on the fucker.
A lot caught fire - my first SD45 exploded.
Definitely not roadworthy, and the SD45 will eat up Golden Lion KT66’s at a rate of knots.
You need to speak to Nancy Wilson and Joe Bonnamassa about that. Or have a seance and contact Leslie West.The only thing Friedman designed on these amps was the preamp section. The rest of the amp was designed by Jeff Bober, who is actually local to me here and a very good tech. I'm sorry you had problems with yours but these amps don't really have the bad reputation you are trying to give them,.
The only thing Friedman designed on these amps was the preamp section, so absolutely nothing to do with "eating KT66s". The rest of the amp was designed by Jeff Bober, who is actually local to me here and a very good tech. I had him service my 77 Super Lead recently and he did a great job with it.
Sorry you had problems with yours but these amps don't really have the bad reputation you are trying to give them.
Okie-dokie. This one did it. I am convinced.You need to speak to Nancy Wilson and Joe Bonnamassa about that. Or have a seance and contact Leslie West.
Nice studio amp for something different - good touch response at high level. Likes cheap Sovtek valves.
But I wouldn’t dare take one gigging.